Byzantine Bronze Cross Pendant with Bead Necklace

The suspension loop with beaded border; finely granulated star pattern; raised rib highlighted with beads of gold to the centre; the lower body of the pendant decorated with filigree triangles, a trail of lines leading to a central gold boss, each segment with a small bead of gold. 1.74 grams, 15 mm



Acquired in the 1970s. From an important London, UK, collection.

Of piriform shape with raised inscription around the shoulder; intended to be filled with explosive liquid and wick, used as a hand grenade. 307 grams, 11.2 cm



Acquired 1990s-early 2000s. East Anglian private collection. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. Such were the γανωτα, vessels (sometimes also of bronze) used for Greek fire. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Comprising two narrow hinged plates and articulated suspension loop with two vertical ribs; obverse with Jesus on the cross, dressed in a long robe with standing Virgin and Saint John on his side, Greek inscription 'ἴδε ὁ υἱός σου.Ἰδοὺ ἡ μήτηρ σου' (John 19:27-28: 'Here is your son. Here is your mother') under the arms; titulum, the sun and the moon above; on the tabula ansata of the titulum a Greek inscription 'Χ fur XΡΙΣΤΟΣ'; reverse with Theotokos (Mother of God) in orans pose and the four busts of the evangelists, at the four arms of the cross. 82 grams, 83 mm



Acquired on the German art market around 2000. From the collection of Surrey, UK, gentleman.

This enkolpion is a beautiful example of the type of pendant cross widespread in the 11th-12th centuries. Many variants of enkolpia reflected the new artistic fashions in vogue at Byzantium, influenced by the political and artistic vigour of the Macedonian dynasty. This enkolpion corresponds to type I of the Pitarakis classification.