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LOT 1010
Byzantine Bronze Cross Brooch
CIRCA 6TH-8TH CENTURY A.D.
2 1/2 in. (20.1 grams, 65 mm).
Formed as an expanding-arm cross pommy with lower arm developing two lateral loops with shallow recesses, ring-and-dot motifs; pin-lugs and catch to reverse. [No Reserve]
ProvenanceUK private collection before 2000.
Acquired on the UK art market.
Property of a London gentleman.
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Byzantine Stone Jewellery Mould
10th-11th century A.D.Sold for (Inc. bp): £221
Fitted with two channels running to a central circlet with the image of a saint cavalryman in the centre, surrounded by Greek letters A, O, O, E, C, OS, E, O; small holes to three of the corners for insertion of pegs. 136 grams, 79 mm
UK private collection before 2000. Acquired on the UK art market. Property of a London gentleman.
Plates from mid-period jewellery moulds (10th-12th centuries) with the imprint of the jewellery to be made carved into one or both of the surfaces (earrings, buckles, clasps, beads of necklaces, etc.) were usually made of graphite schist, or other rocks. The plates were bound together in twos or threes by lead pins and the liquid metal was injected via conical openings. Similar tools were found in the 10th-12th levels of Thessaloniki. -
Byzantine Porphyry Relief with Cross Surrounded by Two Birds
Southern Italy or Constantinople, 11th century A.D.Sold for (Inc. bp): £28,600
An imposing panel divided to four sections by a central cross on a stepped pedestal, the lower and upper arm with branch-like extensions; the upper quadrants with a circlet surrounding a palm tree-shaped motif; each lower quadrant with a bird in profile facing back; mounted on a custom-made display stand. 16 kg total, 44.5 cm including stand
Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12179-221676.
The cross, symbol of resurrection and salvation, carried the meaning of Paradise, and a cross on a stepped base derived from that on Golgotha. The birds represented here are probably a symbol of joy of the afterlife, of paradise conceived as the locus refrigerii or refrigerium of the soul. The panel could have been part of a marble iconostasis of a Church of the Eastern Roman Empire, in Southern Italy, although the use of porphyry can suggest a Constantinopolitan provenance. -
Byzantine Bronze Amulet with Figures
5th-7th century A.D.Estimate: £500 - 700 (‡+bp*)
Opening Bid: £167
Discoid with integral loop, tondo with figural scene of Simeon Stylites standing on his column, two worshippers at the base and two angels above; legend to the rim. 22 grams, 48 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.