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_900x900.jpg "Byzantine Bronze Artefact Collection")
_200x200.jpg "Byzantine Bronze Artefact Collection")
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LOT 0989
Byzantine Bronze Artefact Collection
6TH CENTURY A.D. OR LATER
1 1/8 - 2 3/4 in. (115 grams total, 28-71 mm).
Mainly comprising ornamental buckles and mounts, including openwork and zoomorphic examples. [8, No Reserve]
ProvenanceAcquired in London in 1982.
Property of a central London gentleman.
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AUCTIONS:
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Byzantine Glazed Sgraffito Vessel
13th century A.D.Estimate: £1,000 - 1,400 (‡+bp*)
Opening Bid: £500
Carinated in profile with narrow flared base, green-glazed upper body; to the inner face a central roundel with zigzag fill and a zigzag band above the gallery, to the outer face horizontal zigzag band to the shoulder; old Christie's label with '144/2 5540'. 372 grams, 13 cm
Ex Charles Gillot (1853-1903). with Christie's Paris, 2008. European private collection. with previous Christie's item sticker to inside. -
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Byzantine Bronze Segmented Strap
10th-15th century A.D.Sold for (Inc. bp): £104
Comprising five hinged sections, each with three central bosses with pelletted collars, further pellets to the field; possibly from a belt. 61.7 grams, 15 cm
UK private collection. Acquired from York Antiques Centre, in 2001. Property of a Nottinghamshire gentleman. -
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Byzantine Porphyry Relief with Cross Surrounded by Two Birds
Southern Italy or Constantinople, 11th century A.D.Sold for (Inc. bp): £28,600
An imposing panel divided to four sections by a central cross on a stepped pedestal, the lower and upper arm with branch-like extensions; the upper quadrants with a circlet surrounding a palm tree-shaped motif; each lower quadrant with a bird in profile facing back; mounted on a custom-made display stand. 16 kg total, 44.5 cm including stand
Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12179-221676.
The cross, symbol of resurrection and salvation, carried the meaning of Paradise, and a cross on a stepped base derived from that on Golgotha. The birds represented here are probably a symbol of joy of the afterlife, of paradise conceived as the locus refrigerii or refrigerium of the soul. The panel could have been part of a marble iconostasis of a Church of the Eastern Roman Empire, in Southern Italy, although the use of porphyry can suggest a Constantinopolitan provenance.
