Burmese Iron Single-Edged Sword with Scabbard

Iron fronted with visor, nasal guard bar and front and back gorget plates, the lifting visor marked with parallel lines; the front and back plates secured with a single hook. 2.25 kg, 34.5 cm high



Acquired on the UK art market. The Kusmirek Collection, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11766-203985.

During the latter half of the 16th century, the heavy 'knightly' lance gradually fell out of use, possibly because of the widespread adoption of the infantry pike. Also, the lance required a great amount of practice to perfect its use, whilst proficiency in the use of firearms was considerably more easily acquired. The lancer or demi-lancer, when he had abandoned his lance, became the pistol-armed cuirassier or reiter. The adoption of the pistol as the primary weapon led to the development of the stately caracole tactic, where cuirassiers fired their pistols at the enemy, then retired to reload whilst their comrades advanced in turn to maintain firing. Following some initial successes, this tactic proved to be extremely ineffective, as infantry, with superior firearms and numbers, could easily outgun the cuirassiers. The change from cavalry being reliant on firearms, to shock-capable close combat cavalry, reliant mainly on the sword, was attributed to Gustavus Adolphus of Sweden in the 1620s and 1630s, but was actually already widely practiced throughout Europe since the invention of pistol-armed heavy cavalrymen in the late 16th century.

Comprising: one heater-shaped with openwork raven motif to each face; one similar with openwork raven enmeshed in tendrils; one with fleur-de-lys to the centre of each upper edge and a lobed spur to each side; one with openwork quatrefoil to each face and knop finial to the apex. 145 grams total, 55-85 mm



From the collection of a North American gentleman, formed in the 1990s.

Comprising a broad, double-edged blade with rounded tip, shallow central fuller to the upper third of both sides; flat guard with stepped central panel, D-section arms formed in a horizontal S-curve, 'cat's head' truncated type pommel with an integral central boss to both faces; the tang with a sword-shaped stamp, the blade with an inlaid three-armed workshop mark and another stamp, including a V surmounted by a cross. 1.37 kg, 1.18 m

Restored and protected with a possible vertical suspension in acid solution, on the blade traces of delamination and flaking along the pattern-welds, some corrosion damages but in general very good condition.

From an English collection, acquired 1990s. The Kusmirek Collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11771-203963.

The Schiavonesca sword was used by Dalmatian mercenaries serving in the Venetian state armies, and were produced by the workshops of the Serenissima to which the marks probably belong. Many of these swords were produced in Dubrovnik, a Croatian city under the Venetian rule. Dr Aleksić mentions the swordsmith Radonja Vukotić, who made an agreement with blacksmith Andrija Miletin at the beginning of September 1436, to produce swords together in the following year.