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LOT 1776
Bronze Statuette Group
20TH CENTURY A.D.
6 1/2 - 9 1/4 in. (2.38 kg total, 16.5-23.5 cm).
Comprising: a kilted male figure holding a torch aloft, mounted on a square-section stand with medallion ornament; two figures in similar poses on socle bases; Roman style after the antique. [3, No Reserve]
ProvenanceProperty of a European gentleman.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Renaissance Stained Glass Lancet-Arch Finial Pair
France, Champagne, Troyes, circa 1500-1510 A.D.Sold for (Inc. bp): £624
Comprising two large mounted and framed assemblages displaying intertwined vines and bunches of grapes, both with a folded scroll to base inscribed with Gothic script, one reading 'Dominus Noster' (for Our Lord). 14 kg total, 79 x 56 - 79.5 x 57.5 cm
with Christie's, New York, 19 April 2018, no.169 (part). Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12090-217450. -
Georgian Pewter Whistle Group
18th century A.D.Sold for (Inc. bp): £59
Comprising one slender, tapering with vent to both faces; one squat with domed upper, knop finial 41 grams total, 58-60 mm
Found Billingsgate spoil from the Thames foreshore, London, UK, circa 1984. Property of an Essex collector. -
Post Medieval Vellum Document of Pope Paul III
Italy, 1534-1538 A.D.Sold for (Inc. bp): £715
Large rectangle with linear upper border and three pendant medallions: St. Peter with book and key, angels supporting the communion cup, St. Paul with sword and book; flanking blocks of dense flowers, leaves and tendrils above incipit 'IN XPI NOMINE AMEN' (in the name of Christ let it be so); similar lateral floral ornament flanking the central block of text in a fine italic hand with red-inked titles and name of the issuing authority (PAVLVS); folded lower edge with cord for attachment of an authenticating seal (absent); witnessed at bottom left corner by Franciscus Caesariensis Ep[iscopu]s (Bishop Francis of Caesaria) and credited at bottom right 'gratis in omnibus amore dei / Marius Cappocinus secretarius' (with thanks to the love of God in all things, Marius the Capuchin, Secretary); some usage wear, faded Italian-language notation to reverse. 137 grams, 74 x 62 cm
Collection of Victor Spark, UK, 2007. Ex central London gallery.
Pope Paul III was the commissioner of the painting of the Last Judgement on the ceiling of the Sistine Chapel, Vatican City.
