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LOT 1776
Bronze Statuette Group
20TH CENTURY A.D.
6 1/2 - 9 1/4 in. (2.38 kg total, 16.5-23.5 cm).
Comprising: a kilted male figure holding a torch aloft, mounted on a square-section stand with medallion ornament; two figures in similar poses on socle bases; Roman style after the antique. [3, No Reserve]
ProvenanceProperty of a European gentleman.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Silver-Coloured Ring Group
20th century A.D.Sold for (Inc. bp): £20
Comprising: one with teardrop bezel, glass inserts; one with lapis lazuli disc insert; one with openwork shoulders, cabochon to the bezel. 20.41 grams total, 23-30 mm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Two Rembrandt van Rijn Etchings
17th-18th century A.D.Sold for (Inc. bp): £247
Comprising: landscape with farm buildings, cows and horses; accompanied by a portrait, an impression of Rembrandt by Thomas Worlidge, printed 1757, torn. 11 grams total, 14.5 x 13.5 - 15.2 x 9.5 cm
Private collection, Suffolk, UK.
The 'portrait of a man' shows clearly the influence of Rembrandt's self-portrait studies, e.g. 'Self Portrait with Saskia' of 1636. The landscape scene resembles 'Landscape with Cottage' drawn in the 1650s. -
Post Medieval Vellum Document of Pope Paul III
Italy, 1534-1538 A.D.Sold for (Inc. bp): £715
Large rectangle with linear upper border and three pendant medallions: St. Peter with book and key, angels supporting the communion cup, St. Paul with sword and book; flanking blocks of dense flowers, leaves and tendrils above incipit 'IN XPI NOMINE AMEN' (in the name of Christ let it be so); similar lateral floral ornament flanking the central block of text in a fine italic hand with red-inked titles and name of the issuing authority (PAVLVS); folded lower edge with cord for attachment of an authenticating seal (absent); witnessed at bottom left corner by Franciscus Caesariensis Ep[iscopu]s (Bishop Francis of Caesaria) and credited at bottom right 'gratis in omnibus amore dei / Marius Cappocinus secretarius' (with thanks to the love of God in all things, Marius the Capuchin, Secretary); some usage wear, faded Italian-language notation to reverse. 137 grams, 74 x 62 cm
Collection of Victor Spark, UK, 2007. Ex central London gallery.
Pope Paul III was the commissioner of the painting of the Last Judgement on the ceiling of the Sistine Chapel, Vatican City.
