Bronze Roman Coin and Limited Edition Framed Print

With delicately modelled youthful features, thick hair framing the face adorned with a laurel-wreath secured at the rear, traces of silvering to the eyes; ledge base; possibly Apollo the sun-god, or a lar (guardian spirit). 31 grams, 32 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The use of domestic gods continued in the Roman Empire also in later times. Of particular interest is a group of sculptures discovered in the Theodosian Palace in Stobi. The finds consist of marble and bronze statuettes and reliefs that were deposited in one of the ornamental basins located in the peristyle. Four of the smaller bronze sculptures— a lar, Apollo, Venus, and a satyr— may have formed the contents of a lararium. The palace was in use until the 5th century A.D., but the sculptures consists of heirloom and reused pieces dated at 2nd-1st century B.C. However, an unusual feature of this bronze assemblage is the fact that they date overwhelmingly to the 3rd century A.D.

Formed as a helmetted bust, possibly representing the god Mars (Greek Ares), with iron spike to the rear. 43 grams, 43 mm



Ex property of a London gentleman; acquired before 1980.

Carved architectural element depicting a double herm comprising: a diademed female bust with long wavy hair framing the face, slender features with small mouth and raised lids; the other side with a diademed female with hair arranged in neat curls on the forehead, large eyes and small mouth, taenia shown on each side of the neck; base reworked with drilled sockets for mounting. 12.6 kg, 29 cm high



Old collection, acquired in the 1970s. Acquired by inheritance from Mr N.S. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12084-211893.

The head with elaborately curled hair and diadem could represent Ariadne, as shown by comparisons with a fragment of a two-faced herm with bearded Dionysus and Ariadne preserved in the Antiquarium Ostiense, dated to the lmperial Roman age. The heads could be interpreted either as Ariadne and a Maenad, or as two Maenads being characterised by the diadem and long taeniae. The association of these figures with Dionysus is congruent with the typology of the herm, which refers to rural places and theatres. Numerous herms in fact attest that this type of sculpture was used in contexts linked to Dionysus and his sacred procession as well as, obviously, the representation of Ariadne, his female partner and double. The example fits into the class of domestic sculpture with a decorative function, mostly used to adorn peristyles and viridaria; the type placed at the crown of columns and pillars is quite documented, in particular in the version with the head of Dionysus contrasted with that of Ariadne or a Maenad.