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LOT 0507
Bronze Handle of a Leaping Panther
2ND-4TH CENTURY A.D.
5 1/2 in. (180 grams, 14 cm).
Roman or Parthian handle modelled in the round in leaping stance with forepaws extended, tail curled between the legs, mouth gaping in a roar; tab and sprue between the forelegs, bar between the hind feet; furniture fitting.
ProvenanceAcquired in the 1980s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12744-234682.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Tassinari, S., La Vaisselle de Bronze, Romaine et Provinciale, au Musée des Antiquités Nationales, XXIXe supplément de Gallia, Paris, 1975, items 152, 178, for type.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0507
Bronze Handle of a Leaping Panther
Estimate £1,000 - 1,400€1,160 - 1,620 (for guidance only)$1,350 - 1,890 (for guidance only)
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Greek Terracotta Face of a Gorgoneion
6th-5th century B.C.Estimate: £1,000 - 1,400 (‡+bp*)
Opening Bid: £500
With large eyes and applied pupils, accentuated nose and open mouth with protruding tongue, hair indicated with regularly disposed lines; repaired, western Greek workmanship; mounted on a custom-made display stand. 142 grams total, 15.5 cm including stand
Ex Mr M.Q.F, Horgen, Switzerland, 1971. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
A Gorgoneion was a protective symbol in ancient Greek art that depicts the head of the Gorgon, a mythical creature with snakes for hair and a terrifying gaze that could turn people to stone. The Gorgoneion was believed to have the power to ward off evil and protect the person who wore it or displayed it. The image of the Gorgoneion was often used as an apotropaic symbol to ward off evil or bad luck. It was often depicted on shields, armour, or even as an architectural feature on buildings. The symbol was also sometimes used in jewellery, such as amulets or pendants, and was believed to bring good luck and protection to the wearer. The most famous depiction of the Gorgoneion is probably the one on the aegis of the goddess Athena. -
Greek Black Glazed Terracotta Askos
4th century B.C.Estimate: £400 - 600 (‡+bp*)
Opening Bid: £200
A pouring vessel with bulbous body and funicular spout, central strap handle. 160 grams, 97 mm high
Ex C.R., Ticino, before 1970. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Eastern Greek Gold Necklace Element with Agate Drops
Circa 3rd century B.C.Sold for (Inc. bp): £4,940
Crescentic frontal panel from a necklace or collar; sheet gold band with slight carination, lightly incised leaf and berry detailing; applied filigree band to each end with double-loop attachment points; three applied foil rosettes; eleven banded agate dangles to the lower edge with sheet gold suspension; a marriage of ancient parts. 33.84 grams, 15.2 cm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12591-232174. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Rosettes were one of the most desired decorations on jewellery. Diadems with rosettes are attested from the archaic period onwards. One of the rosette types was the so-called flower-head from Madytos, which most closely resembled the common wild or dog rose. The rose was, of course, much prized in ancient times for its wonderful scent and as the favoured flower of Aphrodite, the goddess of love: the lyric poet Anakreon called it ‘the perfume of gods, the joy of men’.
