Bronze Arabic Seal Matrix Collection

Comprising various designs in differently coloured glazes, including animals, still life, figural scenes, floral and vegetal motifs, sailing vessels and architectural subject matter. 4.2 kg total, 10.5 x 12.8 - 13.5 x 13.5 cm



Acquired 1990s-early 2000s. East Anglian private collection.

A fang hu in Han style, of baluster form, cushion-shaped lid with four suspension loops, two lion-head appliqués, each with an articulate ring handle below. 4 kg, 33.5 cm



Ex London, UK, art market, 1990s.

Female bust modelled in the round with hair centre-parted and dressed in ringlets gathered at the nape of the neck and extending to the shoulders; mounted on a socle base. 22.1 kg, 46 cm



Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12303-215648.

This portrait is directly inspired by a Roman model (fig. 1) discovered in 1880, now housed at the Museo Nazionale Romano in Rome and believed to depict Minatia Polla. The young woman depicted showcases the refined features characteristic of Roman feminine nobility, with a rounded oval face, large hemmed eyes, a long nose, and a well-defined, slightly open mouth. Her low forehead is adorned with a sophisticated hairstyle: long, soft locks separated by a middle parting that end in curls, with a few delicate strands falling over her shoulders. She wears a dress with subtle pleats and a round neckline. Upon comparing our portrait with the Roman original of Minatia Polla, it becomes evident that this piece is an exact neoclassical copy of the ancient portrait. The only notable difference is the more pronounced fullness under the chin in our version, which is less evident in the antique model. From the 18th century and throughout the neoclassical era, significant archaeological discoveries sparked immense interest and enthusiasm (as evidenced by Winckelmann), compelling contemporary sculptors to engage with ancient works to showcase their talents. The portrait presented here, given the delicacy of the features and the overall quality of the sculpture, is unmistakably the work of a master sculptor.