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LOT 2096
Bronze and Iron Statue Group
20TH CENTURY A.D.
8 1/4 - 12 1/4 in. (4.3 kg total, 21-31 cm).
Including a demon gripping his phallus and other types. [3, No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
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AUCTIONS:
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Ethiopian Wooden Cross with Incised Decoration
Circa 1500-1550 A.D.Sold for (Inc. bp): £780
Carved bifacial tau-cross with bands of hatching to the broad faces, reserved lozenge panels, cuboid baluster with central piercing to each face, barrel-shaped lower body with cord binding to prevent splitting; mounted on a custom-made stand. 237 grams total, 30 cm high including stand
Milos Simovic, New York, USA, 2005. Ex central London gallery. -
Marble Head of a Roman Noblewoman
Italy, 19th century A.D.Sold for (Inc. bp): £5,720
Female bust modelled in the round with hair centre-parted and dressed in ringlets gathered at the nape of the neck and extending to the shoulders; mounted on a socle base. 22.1 kg, 46 cm
Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12303-215648.
This portrait is directly inspired by a Roman model (fig. 1) discovered in 1880, now housed at the Museo Nazionale Romano in Rome and believed to depict Minatia Polla. The young woman depicted showcases the refined features characteristic of Roman feminine nobility, with a rounded oval face, large hemmed eyes, a long nose, and a well-defined, slightly open mouth. Her low forehead is adorned with a sophisticated hairstyle: long, soft locks separated by a middle parting that end in curls, with a few delicate strands falling over her shoulders. She wears a dress with subtle pleats and a round neckline. Upon comparing our portrait with the Roman original of Minatia Polla, it becomes evident that this piece is an exact neoclassical copy of the ancient portrait. The only notable difference is the more pronounced fullness under the chin in our version, which is less evident in the antique model. From the 18th century and throughout the neoclassical era, significant archaeological discoveries sparked immense interest and enthusiasm (as evidenced by Winckelmann), compelling contemporary sculptors to engage with ancient works to showcase their talents. The portrait presented here, given the delicacy of the features and the overall quality of the sculpture, is unmistakably the work of a master sculptor. -
Jadeite Pendant Necklace with 'Rubies' and Other Cabochons
Late 19th-early 20th century A.D.Sold for (Inc. bp): £98
Plaque with floral design comprising inset glass cabochons, synthetic rubies and gold-coloured wire detailing. 70 grams, pendant height: 76 mm
Property of a South West London gentleman.