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LOT 2359
Brass Kano Pendant
LOBI TRIBE, MID 20TH CENTURY A.D.
3 7/8 in. (21 grams, 98 mm).
Deltoid in plan and with slight midrib, shank with knop finial for attachment. [No Reserve]
ProvenanceFrom Côte d'Ivoire, West Africa.
From an old Derby, UK, specialist collection.
From the property of a late Lincolnshire, UK, gentleman.
Lobi arts also include a wide variety of small human and animal images, implements, and more abstract symbols in copper alloy and iron. Some of these are worn as jewelry and some appear on shrines.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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New Guinea Wooden House Mask
Papuan, early-mid 20th century A.D.Sold for (Inc. bp): £52
Carved as an elongated face with feather headdress, inlaid with cowrie shells and with hog tusks to the nose; grip handle in front of the mouth. 1.55 kg, 64 cm
Ex Bury St Edmunds, UK, ethnographical collection. From the property of a late Lincolnshire, UK, gentleman. -
African Wooden Ceremonial Face Mask
Pende Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £13
Carved with scarification panels to the cheeks and forehead, protruding mouth with teeth, flat nose and a neck panel below the chin. 560 grams, 37.5 cm
From Democratic Republic of the Congo, Central Africa. From the collection of the late Professor R M Hicks, OBE. From the property of a late Lincolnshire, UK, gentleman.
Pende masks are among the most dramatic works of all African art. There are two styles: the western one of the Kwilu with its mbuya mask characterized by a somber, gloomy expression, and the Kasai style that is more geometric and colorful. The Kwilu Pende are especially well known for their masks that were originally used for circumcision ceremonies but later became accessories for a type of popular theater. The minganji, or masks of power, represent the ancestors; the mbuya, or village masks, represent human types, such as the chief, the diviner, the epileptic with a twisted mouth, the madman or man in a trance, the widow, the lover, or the executioner. -
African Wooden Ancestor Figure
Baule Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £33
A hand-carved standing female figure with hands placed by the side, some scarification and wearing arm rings. 1.06 kg, 48.5 cm
From Côte d'Ivoire, West Africa. From an old Bristol, UK, ethnographical collection. From the property of a late Lincolnshire, UK, gentleman.
The Baule are noted for their fine wooden sculpture, particularly for their ritual figures representing spirits; these are associated with the ancestor cult. The figures and human masks are often elegant, well polished with elaborate hairdressings and scarification.
