Loading, please wait...
Details
LOT 2359
Brass Kano Pendant
LOBI TRIBE, MID 20TH CENTURY A.D.
3 7/8 in. (21 grams, 98 mm).
Deltoid in plan and with slight midrib, shank with knop finial for attachment. [No Reserve]
Provenance
From Côte d'Ivoire, West Africa.
From an old Derby, UK, specialist collection.
From the property of a late Lincolnshire, UK, gentleman.
Footnotes
Lobi arts also include a wide variety of small human and animal images, implements, and more abstract symbols in copper alloy and iron. Some of these are worn as jewelry and some appear on shrines.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
African Wooden Ceremonial Face Mask
Pende Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £13
Carved with scarification panels to the cheeks and forehead, protruding mouth with teeth, flat nose and a neck panel below the chin. 560 grams, 37.5 cm
From Democratic Republic of the Congo, Central Africa. From the collection of the late Professor R M Hicks, OBE. From the property of a late Lincolnshire, UK, gentleman.
Pende masks are among the most dramatic works of all African art. There are two styles: the western one of the Kwilu with its mbuya mask characterized by a somber, gloomy expression, and the Kasai style that is more geometric and colorful. The Kwilu Pende are especially well known for their masks that were originally used for circumcision ceremonies but later became accessories for a type of popular theater. The minganji, or masks of power, represent the ancestors; the mbuya, or village masks, represent human types, such as the chief, the diviner, the epileptic with a twisted mouth, the madman or man in a trance, the widow, the lover, or the executioner. -
Indonesian Tau Tau Funerary Wooden Head
Toraja People, late 19th century A.D.Sold for (Inc. bp): £33
Funerary peg head with bald scalp, delicate facial features with grooves delineating the piercing eyes and shallow lips; below the neck a cylindrical protrusion to be slotted into the carving of its body, commemorating a deceased person. 780 grams, 35 cm
From South Central Sulewesi, Indonesia. Ex private Surrey, UK, ethnographic collection. From the property of a late Lincolnshire, UK, gentleman. -
African Wooden Ceremonial 'Forest Spirit' Face Mask
Kwele Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £78
Carved wooden 'Four Faces Forest Spirit Mask' from Gabon, displaying flat surfaces with whitened heart-shaped faces each with a triangular nose, coffee-bean eyes and small or non-existent mouth; the two large carved horns represent the antelope. 1.2 kg, 50 cm
From Gabon, West Africa. From the property of a late Lincolnshire, UK, gentleman.
The faces are usually painted in white kaolin earth, a pigment associated by the Kwele with light and clarity, the two essential factors in the fight against evil. The Kwele occupy a great forest region on the borders of Gabon, Cameroon and the Republic of Congo.
