Bactrian Style Rock Crystal Bead Necklace String

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Description of Cylinder Seal of White/Cream Stone, 15 x 9.5 mm. Seated figure in flounced dress faces a standing figure in flounced dress with right hand raised in greeting and left hand gripping wrist of similarly dressed figure behind. There is a base-line, but no upper rule. Inscription (owner's name) : tá-at-ku-ma-ma = Tatku-Mamma. This is a north- or west-Mesopotamian rendering of the Ur III presentation scene. In the Ur III examples the seated deity meets a human being introduced by a minor deity, but in this case all three figures are similarly dressed. The seated deity holds up a piece of plant for identification, perhaps marking him as the Syrian storm god Addu. The date must be c. 2000-1900 B.C. Condition: good.'; supplied with a museum-quality impression. 3.66 grams, 15 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in October 1987. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Miniature vessel with flared base, facets to the bulbous body, cup-shaped mouth. 3.86 grams, 32 mm



UK private collection before 2000. Acquired on the UK art market. Private collection, London. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Faience with Green Glaze, 26.5 x 12 mm. The main scene consists of a standing man, dressed in a robe that reaches his ankles, with a decorated band passing over one shoulder. His arms are held at the waist. He faces on his left a stylized sacred tree consisting of a main stem and five brances [sic] ending in buds at the top. The remaining area is filled with two registers. The lower one consists of of a guilloche consisting of three spirals. The upper register shows two, facing, recumbent horned animals, both with heads turned back, but one with raised tail, the other with tail downwards. The whole area of design is contained within a line above and another beneath. This seal is Mitanni, c. 1500-1200 B.C., and from anywhere within the area from Syria to Western Kurdistan. It reflects the Hurrian civilization of this area, and the tree is the symbol of the storm god, Hurrian Teshub, Babylonian Adad, Hebrew Hadad or Baal. The standing figure is probably meant as a worshiper. The horned animals are well known on such seals, but while they may well be symbolic, they are not understood. The guilloche is a common item of decoration for the period. Faience is a manufactured substance, comparable to the modern porcelain. In the ground it often deteriorates over the centuries and has a powdery surface. this one, however, is in fine condition and the only mark of its age is that the glaze covering its surface has lost its colour. In this fine condition such seals are rare.'; supplied with a museum-quality impression. 3.82 grams, 26 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.P32. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated September 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.