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LOT 1972
Bactrian Style Lapis Lazuli Bead Necklace
20TH CENTURY A.D.
18 1/2 in. (35 grams, 47 cm).
Comprising lapis lazuli annular and tabular beads with gold spacers. [No Reserve]
ProvenanceEx North London, UK, gentleman.
Property of a Cambridgeshire, UK, gentleman.
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AUCTIONS:
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Mixed Pendant Group
20th century A.D.Sold for (Inc. bp): £169
Mixed group of silver-coloured metal pendants including a stamp-seal with hinged handle, a loop with imitation keys attached and other types. 110 grams total, 30-67 mm
Property of a South West London gentleman. -
Post Medieval Silver Ring with 'In this Sign is Health' and Lion
Circa 16th-17th century A.D.Sold for (Inc. bp): £572
With hatched bands dividing the D-section hoop into quarters, ellipsoid cup-shaped bezel with impressed design of a lion gardant beside a rosette with legend above 'in hoc salus' (in this [sign is] health). 10.31 grams, 28. 09 mm overall, 18.70 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18)
Private collection, Arundel, West Sussex, UK, 1975-late 1990s. -
Ethiopian Diptych with Passion and Resurrection of Christ
18th century A.D.Sold for (Inc. bp): £1,690
Comprising two recessed panels, the left hand panel showing biblical scenes divided into two panels: in the upper panel the deposition of Christ in the tomb and the Resurrection of God, holding a flag in his left hand and grasping the hand of Adam with the right; in the lower panel the flagellation of Christ and the road to the Calvary; Ge'ez inscriptions on the field; the right hand panel showing the Crucifixion, Ge'ez inscriptions on the field. 946 grams total, 32.5 x 21.5 - 33 x 21.5 cm
Ex Alistair McAlpine collection, 2004. Ex central London gallery.
The icon shows Western influence on Ethiopian art. The Crucifixion image contains many elements of this iconography which are found in many Oriental and Western art of the Middle Ages, but with significant changes from the previous representations: Jesus is nailed with three nails and not four, the head leaning towards his right shoulder and the hair falling on his shoulders. Following the Western influence, Christ is represented in a spasm of physical pain, and consequently a more detailed anatomy of his chest and abdomen is depicted. This concept of the Crucifixion, common in the Italian Late Middle Age and Renaissance art, found its way to Ethiopia at some time towards the end of the 15th century, or at the beginning of the 16th century. As in the majority of the Resurrection icons of this period, Christ is dressed in a long robe with a cloak or toga draped over one shoulder.
