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LOT 0050
Attic Terracotta Geometric Jug with Handle
8TH CENTURY B.C.
9 3/8 in. (735 grams, 23.7 cm).
With a bulbous body and low basal ring, tubular neck with pinched trefoil spout and a wide strap handle to the rear; the body decorated with densely arranged circumferential bands, a panel of Greek key motifs on the neck, the handle with horizontal stripes and a central X-motif.
ProvenanceSwiss private collection, 1980-1990s.
Private collection, Bern, Switzerland.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12654-236373.
Cf. Cristiansen, J., Greece in the Geometric Period, Copenhagen, 1002, fig.2, for the type.
FootnotesThese kinds of geometric oinochoai almost always had spherical bodies, cylindrical necks with trefoil mouths and strap handles from rim to shoulder. They are typical of Attic workshops of the Middle Geometric period (800-750 B.C.).
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Hellenistic Iridescent Pale Aqua Glass Bowl
Mid 2nd-early 1st century B.C.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Conical in profile, aqua glass with three incised bands below the rim on the inner face. 374 grams, 15.7 cm wide
Dr Jutaro Kawabe, Nagoya, Japan, his collection formed in the 1960s-1970s. with Hoshigaoka Gallery until the late 1990s. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12949-245243.
On ancient glass, iridescence is the soft play of colour that develops as the surface ages and becomes silica-rich. Minute layers form over time and break light into shifting blues, greens and golds. It is not a modern finish but something time has drawn out of the material itself, so the pattern and palette are unique to each piece. Collectors prize good, stable iridescence because it lifts the form: ribs read more crisply, profiles glow, and simple vessels take on depth and movement. Museums now tend to preserve these surfaces rather than polish them away, recognising both their beauty and what they tell us about an object’s long life (though it is not, by itself, a dating test). For display, iridescent glass performs brilliantly under gentle, directional light, where the colours “turn” as the vessel is moved. Well-preserved, even iridescence of this quality is not common and adds materially to the presence—and desirability—of the piece. -
Etruscan Gold Leech Earring
3rd century B.C.Sold for (Inc. bp): £936
Formed with a hollow c-shaped body adorned with five rows of hollow spheres and a double filigree ropework band, two rows of filigree hoops to the inner face. 7.61 grams, 30 mm
From the collection of a North American gentleman, formed in the 1990s. -
Greek Blackware Lekythos with Palm Fronds
Magna Graecia, circa 4th century B.C.Sold for (Inc. bp): £286
Cylindrical in profile with stepped foot, slender neck and flared mouth; radiating strokes to the shoulder, four blocks each of two palmettes with white painted detailing; strap handle to the rear. 104 grams, 13.5 cm
Property of a private Rutland, UK, collector, formed from at least from the 1990s.
