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LOT 2342
Ashanti Bronze Gold Weight Collection
AKAN, 19TH-20TH CENTURY A.D.
3/4 - 2 3/4 in. (211 grams total, 19-68 mm).
Including a hexagonal-section block with stamped motif, rectangular bars and other types. [5, No Reserve]
ProvenanceFrom an old Oxford, UK, collection.
From the property of a late Lincolnshire, UK, gentleman.
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AUCTIONS:
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African Wooden Ceremonial Face Mask
Fang Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £143
A large carved mask with a white heart-shaped face and a decoration to the forehead. 764 grams, 43 cm
From Cameroon, Central Africa. From the collection of the late Professor R M Hicks, OBE. From the property of a late Lincolnshire, UK, gentleman.
The Fang used masks in their secret societies. Fang masks, such as those worn by itinerant troubadours and for hunting and punishing sorcerers, are painted white with facial features outlined in black. Typical are large, elongated masks and featuring a face that was usually heart-shaped with a long, fine nose. Apparently, it has been linked with the dead and ancestors, since white is their color. The ngontang dance society also used white masks, sometimes in the form of a four-sided helmet-mask with bulging forehead and eyebrows in heart-shaped arcs. -
African Wooden Ceremonial Face Mask
Pende Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £13
Carved with scarification panels to the cheeks and forehead, protruding mouth with teeth, flat nose and a neck panel below the chin. 560 grams, 37.5 cm
From Democratic Republic of the Congo, Central Africa. From the collection of the late Professor R M Hicks, OBE. From the property of a late Lincolnshire, UK, gentleman.
Pende masks are among the most dramatic works of all African art. There are two styles: the western one of the Kwilu with its mbuya mask characterized by a somber, gloomy expression, and the Kasai style that is more geometric and colorful. The Kwilu Pende are especially well known for their masks that were originally used for circumcision ceremonies but later became accessories for a type of popular theater. The minganji, or masks of power, represent the ancestors; the mbuya, or village masks, represent human types, such as the chief, the diviner, the epileptic with a twisted mouth, the madman or man in a trance, the widow, the lover, or the executioner. -
African Wooden Ceremonial Face Mask
Mossi Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £33
Comprising an ellipsoid hollow face with parallel tusks; board of pierced geometric elements. 779 grams, 81 cm
From Burkina Faso, West Africa. Private Hampshire, UK, collection of tribal art; acquired in the 1960s. From the property of a late Lincolnshire, UK, gentleman.
Masks were regarded as the seat of the spirit, but they might also represent the totemic animal of the clan.
