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LOT 2368
Ashanti Bronze Gold Figural Weight Collection
AKAN TRIBE, 19TH-20TH CENTURY A.D.
2 1/8 - 2 1/4 in. (105 grams total, 53-56 mm).
Comprising three kilted figures, each carrying a basket, in various poses. [3, No Reserve]
ProvenanceFrom an old Oxford, UK, collection.
From the property of a late Lincolnshire, UK, gentleman.
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AUCTIONS:
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African Ashanti Bronze Snake Gold Weight
Akan Tribe, 19th-20th century A.D.Sold for (Inc. bp): £26
D-shaped in section with impressed segmentation to the back, raised head. 144 grams, 25 cm
From an old Oxford, UK, collection. From the property of a late Lincolnshire, UK, gentleman. -
African Wooden Ritual Cup
Senufo Tribe, 20th century A.D.Sold for (Inc. bp): £72
Comprising a cotton-reel-shaped body with stylised figural handles carved in the round, one male and one female, each facing the other with chin resting on the rim of the cup, arms embracing the bowl, legs spread around the foot, frieze of interlocking combed triangles around the stem. 940 grams, 18.5 cm wide
From Democratic Republic of the Congo, Central Africa. Acquired Nairobi, Kenya, 1997. Property of a Manchester, UK, collector. From the property of a late Lincolnshire, UK, gentleman. -
African Wooden Ceremonial Face Mask
Lega Warega Tribe, early 20th century A.D.Sold for (Inc. bp): £208
Teardrop-shaped in plan with two scooped facets, slit eyes; pierced around the edge for attachment. 57 grams, 14.7 cm
From Democratic Republic of the Congo, Central Africa. From the Estate of Dr J Bynon; acquired 22 February 1914. From the property of a late Lincolnshire, UK, gentleman.
Most of Lega masks are sculptures of a human face that are rarely worn over the face and never for purposes of true transformation. The Lega masks can be assigned different uses and meanings depending on the context of the performance. In Bwami ceremonies, masks are attached to different parts of the body, fixed to hat, piled in stacks, hung on fences, held in the hand, dragged on the ground, and occasionally worn on the forehead with the beard draping over the face of the wearer or arranged on a miniature palisade. Participants in most rites display their masks as a group in conjunction with particular dance movements and aphorisms, which vary depending on the context in which they are used. Lega masks differ from those used in many other African masquerades in that while women do not own them, both men and women handle and present them in very similar performances. Masks are among the initiation objects displayed on the grave before being passed to new owners. They are usually passed from an uncle to a nephew.