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LOT 0067
Archaic Greek Terracotta Standing Figure
7TH-5TH CENTURY B.C.
6 3/4 in. (277 grams total, 17 cm high including stand).
Modelled in the round figure standing with arms raised, head tilted upward with shoulder-length hair and horned cap, collar to the throat with large disc closure, pectral pendant on a stylised braided thong; mounted on a custom-made stand; possibly Cypriot workmanship. [No Reserve]
ProvenanceEx Ernest Ohly collection.
Acquired from Woolley & Wallis, Wiltshire, UK, 20 May 2010, no.1010 (part).
From an important Cambridgeshire estate; thence by descent.
Accompanied by a copy of the Woolley & Wallis catalogue listing and the original lot tag.
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AUCTIONS:
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Cypro-Archaic Standing Limestone Male Scribe
Circa 4th-3rd century B.C.Sold for (Inc. bp): £780
Modelled in the half-round, standing nude male with mantle to the shoulders, clutching a codex in the right hand; with carefully dressed hair and diadem; D-shaped base. 536 grams, 27 cm
Acquired Bonhams, London, UK. From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Mycenaean Painted Pottery Alabastron
14th-13th century B.C.Estimate: £1,500 - 2,000 (‡+bp*)
Opening Bid: £750
Formed with a squat globular body, everted rim and three lug handles to the shoulder; painted reddish-brown over a cream slip with concentric bands and rings to the mouth, neck, shoulder and base, larger solid undulating forms covering the lower body. 70 grams, 69 mm
Acquired from Royal Athena Gallery, 2003. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11851-206833.
Late Helladic IIIA period of Mycenaean culture. -
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Cypriot Limestone Head of a Deer
Iron Age, circa late 6th-early 5th century B.C.Sold for (Inc. bp): £1,430
Carved in the round with stub antlers to the brow; mounted on a custom-made display stand. 982 grams total, 19.7 cm including stand
Acquired before 1947. Ex Wood family collection, UK; thence by descent 1970.
The deer head probably came from a larger votive terracotta sculpture, which depicted a standing doe, perhaps being led to be sacrificed. The presence of the deer could connect the original terracotta to a sanctuary of Diana, whose sacred animal was the deer.
