Archaic Greek Terracotta Horse and Rider Statuette

The body with an inverted bell shape, foot with channeled sidewall, two loop handles with carinated upper faces; repaired. 96 grams, 12.8 cm wide



Acquired in Europe before 2001. European collection.

Bearing the weight of her body on her left leg, wearing a himation draped over her left and right arms, the right arm bent to grasp a part of the himation that falls behind her, leaving her shoulders uncovered and revealing her naked body; the head turned slightly to the left; the hair arranged in the typical flattering melon coiffure, parted into six large sections and gathered into a low bun; oval face with a small, fleshy mouth and a fine nose; wearing large circular earrings; her right hand resting on top of a small pillar, covered by the cloak; the lower part of the himation embroidered with volutes; the back flat with a square hole for attachment; red-brown pigment on the hair, white coating, traces of pink on the himation and red on the edges of the feet. 493 grams, 22.5 cm high



Collected in the 1950s-1990s. Ex R. Liechti collection (1934-2010), acquired in Geneva. Accompanied by an academic report by Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11999-211931.

In particular in South Italy, two types of female statuettes leaning on small pillars were widespread, derived from Tanagra prototypes: the first type dressed in a high-belted chiton with crowned head, the second consisting of partially draped or nude female figures identified as Aphrodite, like our specimen. The Tanagra production ended in about 200 B.C., but the models created by the Boeotian workshops would continue to be produced until the end of the 1st century B.C. The statuette shows extensive traces of the original polychromy, characterised by strongly contrasting hues in keeping with the local style. The Tanagrine elements are mainly identifiable in the ‘melon coiffure’, the intense red colour of the hair and the pose characterised by the turned hip.

The Etrusco-Italic warrior Laran (Roman Mars) modelled in the round, representing a young muscular hero with long torso and rounded shoulders, wearing a high-crested Illyrian helmet with grooved perimeter, a hole above each ear for attaching an ornament; mounted on a custom-made display stand. 326 grams total, 16.2 cm high including stand



Ex Koutoulakis collection. Ex Gorny & Mosch, Munich, 17 June 1999, no.2051. with Sotheby's, New York, 12 June 2001, no.16. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11803-206793.

The statuette assumes the position of the 'warring Mars', which characterises the numerous Etruscan and Italic statues of the god produced as votive offerings to the temples or for private lararia. The god is depicted as taking part in a military march with his left leg advancing, his raised right would have held a spear and the left hand a shield.