Archaic Greek Figural Alabastron

With an arching strap handle and a wide spout; either side of the body painted with a crouching panther, one playing with a ball and the other depicted facing; repaired. 149 grams, 12 cm

Fine condition, some surface rubbing on the black glaze, with metallic gloss, some calcareous deposits on underside of lip and vase, glaze slightly chipped in a few places, repaired.

Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12001-211879.

Painted askoi in different forms have been produced and been in use in Athens since the middle and second quarter of the 5th century B.C., but they were also made in southern Italy. The askoi painted with a pair of animal figures were realised in Magna Graecia after the Attic continental production of similar models, with the representation of griffins, sphinxes and laconic hounds. The function of the askos as a vessel was clearly linked to wine, and therefore it is not anomalous to see it decorated with panther motifs, an animal connected with Dionysus, the god of wine and drinking.

The free-standing perfume vase modelled as a standing and draped female figure, the neck and mouth of the vessel possibly formed as a modius worn on her head, holding what is possibly a dove to her chest; moulded and painted detailing to her face and garments; heavily repaired. 269 grams, 22 cm high



Acquired in Europe before 2001.

With inverted echinus lip and tall neck, a ribbed handle to each side with coiling lotus buds and palmettes beneath the handles; Side a) a running winged Gorgon depicted frontally, dressed in a black and red chiton; Side b) an aristocratic warrior wearing a Chalcidian helmet and driving a quadriga, the two central horses superimposed, the other two turned outward; a frieze of lotus buds and a band Greek key motifs below, the neck decorated with red and black palmettes, and elongated lotus blossoms; restored. 3.25 kg, 39 cm high



Acquired in Geneva in 1954. Formerly in the Y. Forrer collection, Geneva, Switzerland. Private collection, Switzerland, 1999. with Gorny & Mosch, Munich, 20 June 2012, no.73. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11798-206784.

This wonderful vase can be attributed to the Swing Painter, active in Athens during the last part of the 6th century B.C. Beazley named him after the subject of a girl on a swing that he painted more than once. He was a pot painter, perhaps a pupil of the Princeton Painter. His black-figure paintings included a range of mythological subjects and some quite unusual images. A very large number of vases have been attributed to his hand on the basis of style. Characteristic of his paintings are contemporary touches, such as the presence of hoplites, in mythological scenes (München, Staatliche Antikensammlungen 1385 [J 729], Beazley Archive Pottery Database 301590; Poseidon fighting the giant Polybotes, Louvre F226). An important artwork is the famous representation of the Tyrant Pysistratos and his Rabdophoroi (bodyguards armed with clubs, Athens National Archaeological Museum 15111, Beazley Archive Pottery Database 301523).