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_900x900.jpg "Arab 'Greek Fire' Ceramic Fire Bomb or Hand Grenade")
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.jpg "Arab 'Greek Fire' Ceramic Fire Bomb or Hand Grenade")
LOT 1350
Arab 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
13TH CENTURY A.D.
4 1/2 in. (610 grams, 11.5 cm).
Piriform body decorated with concentric circles inside a pointed star pattern, with domed filler-hole, intended to be filled with explosive liquid and wick, used as a hand grenade. [No Reserve]
ProvenanceAcquired 1980-2015.
Ex Abelita family collection.
Cf. Arendt, W. I., Granaten des 13-14. Jahrhunderts, die an der Wolga gefunden sind, Zeitschrift fur Historische Waffen-und Kostumkunde, 11 (1926-8), p.42; cf. Arendt, W., Die Spharisch-konischen Gefasse aus Gebranntem Ton, ibid; cf. Ayalon, D., Gunpowder and Firearms in the Mamluk Kingdom, London, 1956, p.16; the shape finds correspondence with a fire grenade from Hama, today in the BM, inv.no.1893,1009.38; cf. Pentz, P., 'A medieval workshop for producing 'Greek fire' grenades' in Antiquity, Volume 62, Issue 234, March 1988, pp. 89 - 93.
FootnotesThe Arabs, following the Roman examples, made great use of these weapons. The efficiency of the weapon appears, for example, from the account of the siege of Akka in 1189, given by the contemporary historian Ibn al-Athir. He tells how the Christians exercised their engineering skill and built mighty beffroys. The situation was hopeless for the defending Arabs until a man from Damascus showed up, because he knew how to produce Greek Fire: ‘To trick the Christians he first threw some vesseIs with naptha and other things, which were not set on fire, upon one of the beffroy’s, and it was without power. The Christians...climbed the top of the beffroy...the man from Damascus waited until the contents of the vessels were spread all over. When the moment came, he threw a new pot, which was set on fire. In a few moments the fire was spread all over, and the beffroy was eaten up by the flames. The fire was spread in such a hurry that the Christians could not manage to climb down from the beffroy. Men, weapons, everything was eaten up by the flames.’
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North-Western Persian Type Bronze Blade
Early 1st millennium B.C.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
With tapering triangular blade, having straight shoulders, flat midrib and tapering square-sectioned tang ending with a rounded pommel. 99 grams, 33 cm
Acquired 1980-2015. Ex Abelita family collection.
Moorey, Gordon and Khorasani created a classification of bladed weapons, according to which daggers are edged weapons not greater than 36cm in length, dirks (short swords) are between 36cm and 50cm in length, and swords are edged weapons greater than 50cm in length. -
Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
9th-11th century A.D.Sold for (Inc. bp): £104
Piriform body with domed filler-hole, the upper body decorated with concentric circle motifs; intended to be filled with explosive liquid and wick, used as a hand grenade. 460 grams, 11.1 cm
From a specialist collection of militaria, London, UK, collected 1990s onwards. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form. -
Byzantine Iron Horse Bit
14th-15th century A.D.Estimate: £120 - 170 (+bp*)
Opening Bid: £67
Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm
Fine condition.
Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.
This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of the 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.
