Ancient Glass and Other Bead Collection

The bowl with a wide flat bottom and convex sides; the inside with incised concentric circles; flat handle with raised edges and hooked finial for suspension. 483 grams, 39.5 cm



German private collection, Mr O., collecting in the 1950s-1960s; thence by descent. with Bonhams, London, 7 July 2016, lot 191 (£3,000-5,000). Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by copies of the relevant Bonhams printed catalogue pages (full page). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11735-201189.

This vessel was part of Roman and provincial bronze instrumentum domesticum, i.e. culinary or domestic utility ware. Such cooking vessels are rare: some are found in central and northern Italy, in Pannonia, Germany and in Britain. The Aylesford Pan, today in the British Museum (inventory no.1886.1112.1), is one of the most important finds. This specimen (Eggers type 130), probably pre-Caesarian or Caesarian, was found in a grave together with a Celtic bucket and a jug.

Modelled in the round in kneeling pose, nude, with the fingers of his left hand spread across his bent knee, head turned to the right and slightly tilted upwards; two large dorsal wings spread; the face fleshy with small eyes and nose, the hair with a wreath of curls framing the face; attachment panel behind the shoulders; mounted on a custom-made display stand. 1.38 kg total, 19 cm wide



Ex F. Philips, Netherlands, before 1980s. with Jan Roelofs Antiquaries, Netherlands. Acquired on the European art market, 2023. Private collection, London. Accompanied by an academic report by Prof. Neritan Ceka. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12930-245218.

The image of the winged Eros held a special significance in Roman culture, embodying not only the god of love but also the elegance, refinement, and sophistication of the Classical tradition. His wings symbolised the fleeting nature of passion, while his youthful form carried connotations of vitality and beauty. To incorporate Eros into the decoration of luxury objects was to invoke divine favour and to align oneself with the cultivated ideals of the Graeco-Roman world. Bronzes of the 1st century A.D. represent the height of Roman metalworking, when elite households and sanctuaries commissioned works of remarkable artistry. Fittings such as this, finely cast and intended for a prestigious vessel, were both functional and symbolic: practical elements elevated to expressions of status and taste. Surviving examples are a testament to the technical mastery of Roman workshops and the desire of their patrons to surround themselves with imagery of the gods in even the smallest details of daily life.

Each flat-section penannular bracelets with one terminal absent and punched decoration on the upper face. 32.04 grams total, 48-57 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.