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LOT 1932
Anatolian Style Alabaster Idol
20TH CENTURY A.D.
3 1/4 in. (86 grams, 84 mm).
Biconvex in profile with discoid body, lateral spurs and saller D-shaped finial; after the antique. [No Reserve]
ProvenanceCollected from 1969-1999.
From the collection of the late Mr S.M., London, UK.
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AUCTIONS:
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Stone Pendant Group with Calligraphic Inlays
20th century A.D.Sold for (Inc. bp): £85
Group of three silver-coloured metal pendants comprising: inlaid carnelian disc with lotiform engraved design, calligraphic text; ellipsoid carnelian plaque with dense nastaliq text in panels; onyx plaque with calligraphic text in three rows within a bilinear border. 70 grams total, 34-52 mm
Property of a South West London gentleman. -
Tudor Period Tinned Bronze Betrothal Ring with Arrow
Circa 16th century A.D.Sold for (Inc. bp): £33
With octagonal plaque and chamfered edges, incuse design including an arrow and enigmatic pseudo-text. 12.11 grams, 23.32 mm overall, 19.10 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)
Private collection formed since the 1940s. UK art market. Property of an Essex gentleman. -
Russian Wooden Icon with Virgin of Kazan
17th-18th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Painted on board with mounting panels to the reverse, gessoed surface with central painting of the Virgin of Kazan (also called the Virgin of Tenderness) in a recess, comprising the bust of Mary and standing figure of infant Jesus, both nimbate, monograms to the upper corners; miniature figures of Saints Peter and Paul to the border; on each side of the head of the Virgin inscriptions 'ΜΡ' and 'ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ) above the child, three letters (only two visible) inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); Yaroslavl School. 1.39 kg, 32 cm high
Fine condition.
Ex property of a London lady, part of her family's collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 11544-196360.
The original icon, also known as the Theotokos of Kazan, is thought to have originated in Constantinople in the 13th century before it was taken to Russia. When the Turks took over Kazan in 1438, the icon was most probably hidden to keep it safe. Ivan the Terrible liberated Kazan in 1552, and the town was destroyed by fire in 1579, after which the icon was found and brought to the Church of Saint Nicholas. It was subsequently stolen in 1904 and never found again, though there are many copies in existence.
