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LOT 0217
Anatolian Black Stone Cylinder Seal with Figures Holding Clubs
CIRCA 2600-2300 B.C.
3/4 in. (6.76 grams, 19 mm).
Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Description of Cylinder Seal of Soft Black Stone, 19.5 x 13 mm. Two standing human figures are striking with big clubs, the one at a seated (fallen?) human, the other at an uncertain depiction. A third standing human (inactive) and two quadrupeds make up the scene. From Syria or Anatolia, c. 2600-2300 B.C. Condition: edges worn, but the design still sharp.'; supplied with a museum-quality impression. [No Reserve]
ProvenanceUK private collection, acquired 1980-1983.
Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in October 1987.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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LOT 0217
Anatolian Black Stone Cylinder Seal with Figures Holding Clubs
Sold for (Inc. bp): £234
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Seljuk Gold Bracelet with Fluted Body
11th-13th century A.D.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £1,800
Triangular in section, the shank formed as continuous lops of gold rod tapering to the shoulders, closure formed as a domed disc with granulated top and collar, granulated triangular plaque to each shoulder. 46.8 grams, 70 mm
Acquired in the 1980s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12707-234683. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Amlash Terracotta Bull Rhyton
Early 1st millennium B.C.Sold for (Inc. bp): £6,500
A hollow-formed ceramic vessel formed as a standing zebu with large hump, ridged tail, pectoral ridge and horns; the head forming the U-channel spout. 601 grams, 25 cm
European private collection, 1983. Ex Anavian Gallery, New York. Private collection, UK. Accompanied by a copy of an Art Loss Register certificate, no.S00019651. Accompanied by a copy of a thermoluminescence analysis report, dated 22 November 1990. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12702-235146. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Neo-Assyrian Stone Relief with Standing Figure
9th-8th century B.C.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £1,800
Corner fragment from a high-relief pictorial panel with raised border; domed dais with low-relief scaled detailing; lower legs and sandaled feet in advancing pose with ankle-length open-fronted robe, horizontal woven texture and curled fleece; high-relief stele with flared base, bulbous upper and sugar-loaf finial; pitted surface, with tooling to reverse. 2.81 kg, 24.3 cm
Ex German collection, c.1980. with Toufic Arakji, Hamburg, 1997. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12579-232134. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Stylistically, the figure seems to be linked to the kingdom of Ashurnasirpal II (883-859 B.C.) or his son Shalmaneser III (858-824 B.C.). The exposed lower leg with exaggerated musculature is seen in many Assyrian and Babylonian depictions of divine and heroic figures. The position of the figure, corresponding to some reliefs kept in the Louvre, where a spirit is worshipping a poppy flower (Houston, 1954, pl.V.1), and the high-relief carving strongly refer to a cult scene.