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LOT 1236
Anatolian Alabaster Eye Idol
4TH-3RD MILLENNIUM B.C.
1 1/2 in. (34 grams, 38 mm wide).
With a squat body and two looped eyes, slightly convex base.
ProvenanceAcquired in the 1980s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See parallel idols in the Louvre Museum, accession number SB 9141, for similar; Metropolitan Museum of Art, accession no.1988.323.8; British Museum, excavated by Professor Sir Max Edgar Lucien Mallowan, inv. Nos.126473, 126477 and 126479; see also Collon, D., Ancient Near Eastern Art, London, 1995, p.47, for type; for the discussion on Tell Brak, their iconography and the religious meaning of eye idols see Green, J.B. & T.R., Gods, Demons and Symbols of Ancient Mesopotamia, An illustrated dictionary, London, 1992, pp.78-79.
FootnotesThis type of figurine belongs to the type known as an ‘eye idol’ or ‘spectacle idol’, made of stone, marble or alabaster. Usually models having incised eyes (but also examples of open eyes are found) have been excavated mainly at Tell Brak, where thousands were found in a building now called the Eye Temple. There, in the precincts of the temple, excavators have found thousands of little 'eye-idols', schematised humanoid figures fashioned from alabaster, limestone, soapstone and black burnished clay.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
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Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.