Anatolian Alabaster Eye Idol

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of soft Black Stone, 18 x 18 mm. The art shows a row of three horned animals, each distinct from the other two by its horns. Over the backs of two there is a ladder motif. This is a seal of the Jemdet Nasr period, c. 3000 B.C., from Mesopotamia or south-west Iran. The bodies of the animals are carefully modelled and the whole work is deeply engraved so that in the impression the animals stand out in deep relief. Of its kind this is a good example, in fine state of preservation. The ideology behind this scene comes from temple herds, because ordinary people rarely owned the larger domesticated animals, but normally sheep and goats. Thus cattle and other horned quadrupeds which were being domesticated at this time were the prized possession of the community. The ladder pattern is probably a stylized form of an ear of barley, which occurs (disproportionately large) behind the animal in some more detailed seal of this period.'; supplied with a museum-quality impression. 10.77 grams, 17 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.119-2. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated December 1991. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Black Stone, 31 x 19 mm. The scene consist of three figures: on the left is a god, marked out by his horned tiara, and sitting on an angular stool generally thought to represent a temple facade. Facing him is a human seated on a more practical seat, with crossing legs. Each holds a straw to a pot in the middle, from which they are or will be drinking. Behind the god stands an attendant with one hand raised. For a terminal there is a stylised tree. This is an old Akkadian drinking scene, c. 2300-2200 B.C., from Mesopotamia or south-west Iran. It is an important example because normally both figures look either divine or human, but here one, is clearly divine and the other human. The drink in the pot is beer, and straws were used because it was not strained, and all the husks of the barley were in the liquid, and were strained out by the straws.'; supplied with a museum-quality impression. 22.5 grams, 31 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in January 1992. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled in the round with braided headdress and hatched body, mace in the right hand and khopesh cradled in left arm. 109 grams, 12 cm



Acquired in Paris and London, 1970s. From a collection of Canaanite gods in bronze, from the collection of a London, UK, gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12699-234382. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.