Amlash Terracotta Vessel with Wide Spout

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Description of Cylinder Seal of brown Hematitite (sic), 29 x 15.5 mm. Standing composite figure with human legs and body, but a bird's wings and head, is placed between a large recumbent horned quadruped with long neck and a smaller horned quadruped with short neck; other items; scorpion, hand, fish, star. The whole of the design in enclosed within upper and lower rules. This is a good example of the Mitanni "Elaborate Style", from anywhere between north-western Iran and the eastern Mediterranean. As is normal for such Mitanni seals, the cutting was done entirely with three semi-mechanical tools: the drill, the tubular drill and the cutting wheel. The date will be c. 1500-1250 B.C. The ancient name of the composite figure is not so far known. Save for a gash on the standing figure, the condition is fine.'; supplied with a museum-quality impression. 14.4 grams, 23 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note typed by Professor Wilfrid George Lambert in October 1987. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising triangular types with thick midrib, heater-shaped, leaf-shaped, and other types. 340 grams total, 8.7-17.5 cm



Ex London art market, 1980-1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

One category of the represented arrowheads has a sharp, flat blade, the ends of which extend to form wings or barbs, and a prominent midrib extending into a long tang that often has a stop; the blade shape varies from deltoid to more triangular. Another form has no barbs, but it has a prominent midrib extending to the tang, and a narrow leaf-shaped blade.

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of soft Black Stone, 18 x 18 mm. The art shows a row of three horned animals, each distinct from the other two by its horns. Over the backs of two there is a ladder motif. This is a seal of the Jemdet Nasr period, c. 3000 B.C., from Mesopotamia or south-west Iran. The bodies of the animals are carefully modelled and the whole work is deeply engraved so that in the impression the animals stand out in deep relief. Of its kind this is a good example, in fine state of preservation. The ideology behind this scene comes from temple herds, because ordinary people rarely owned the larger domesticated animals, but normally sheep and goats. Thus cattle and other horned quadrupeds which were being domesticated at this time were the prized possession of the community. The ladder pattern is probably a stylized form of an ear of barley, which occurs (disproportionately large) behind the animal in some more detailed seal of this period.'; supplied with a museum-quality impression. 10.77 grams, 17 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.119-2. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated December 1991. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.