Amlash Bronze Spear Blade

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand. 72 grams, 10.8 cm wide (277 grams total, 11 cm high including stand)



Ex S. Moussieff collection, London, UK. Acquired from C.J. Martin (Coins) Ltd. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.203209.

Battle-scenes - and especially images where the Assyrians overrun their enemies and achieve outright victory - appear to make up a large part of 'official' art of the period. Subjecting a defeated foe to torture and death is the theme of much of the wall-decoration of the palace of Nineveh. A battle-scene depicting the siege of a walled city shows similarly equipped infantrymen; it is in the Metropolitan Museum of Art, New York, under accession no.55.121.4a, b.

Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm

Fine condition.

Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.

This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.

Suitable for use with an onager or other catapult-type siege weapon; with roughened, abrasive surface. 1.5 kg, 97 mm



Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector.

The operation of the onager (Latin for 'wild ass') is first mentioned in 353 A.D. by Ammianus Marcellinus in his Res Gestae and more fully in Vegetius's Epitoma Rei Militaris probably written in the reign of Emperor Theodosius I (378-395 A.D.).