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LOT 1863
Agate Necklace Bead Group
20TH CENTURY A.D.
3/4 - 1 1/8 in. (245 grams total, 21-29 mm).
Composed of a group of spherical banded agate strata 'eye' beads, each pierced laterally for stringing. [20, No Reserve]
ProvenanceUK gallery, early 2000s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Framed Watercolour Painting
India, 20th century A.D.Sold for (Inc. bp): £65
Showing figures in an architectural setting, water and landscape beyond; possibly two female attendants, one holding a torch, the other keeping guard, assisting their mistress who has ventured out at dusk to meet her lover; set in a reveal within a glazed wooden frame. 528 grams, 32.5 x 23.5 cm
Very fine condition.
Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art. -
Bead Necklace with Calligraphic Pendant
19th-20th century A.D.Estimate: £150 - 200 (+bp*)
Opening Bid: £75
Restrung graduated group of polyhedral lapis lazuli beads with modern beaded and rosette spacers; pelta-shaped pendant with calligraphic script on a textured surface 142 grams, 64 cm
From the private collection of a North West London, UK, gentleman. -
Post Medieval Vellum Document of Pope Paul III
Italy, 1534-1538 A.D.Sold for (Inc. bp): £715
Large rectangle with linear upper border and three pendant medallions: St. Peter with book and key, angels supporting the communion cup, St. Paul with sword and book; flanking blocks of dense flowers, leaves and tendrils above incipit 'IN XPI NOMINE AMEN' (in the name of Christ let it be so); similar lateral floral ornament flanking the central block of text in a fine italic hand with red-inked titles and name of the issuing authority (PAVLVS); folded lower edge with cord for attachment of an authenticating seal (absent); witnessed at bottom left corner by Franciscus Caesariensis Ep[iscopu]s (Bishop Francis of Caesaria) and credited at bottom right 'gratis in omnibus amore dei / Marius Cappocinus secretarius' (with thanks to the love of God in all things, Marius the Capuchin, Secretary); some usage wear, faded Italian-language notation to reverse. 137 grams, 74 x 62 cm
Collection of Victor Spark, UK, 2007. Ex central London gallery.
Pope Paul III was the commissioner of the painting of the Last Judgement on the ceiling of the Sistine Chapel, Vatican City.