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LOT 1979
Agamemnon 'First Atlantic Cable' Commemorative Buckle
1858 A.D.
2 1/4 in. (7.15 grams, 56 mm).
Sheet bronze buckle plate with lateral integral hook; stamped design including a circular band enclosing a maritime scene with two sailing ships; band with legend 'Laying the Atlantic Cable'; collector's handwritten ticket. [No Reserve]
ProvenanceAcquired on the UK art market.
Property of a Berkshire, UK, gentleman collector.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Laying a telegraphic cable beneath the Atlantic Ocean was among the 19th century's most remarkable technological achievements since it allowed messages to pass between North America and Europe in a matter of minutes, rather than the two weeks by steamship. A first attempt in 1858 was unsuccessful but two working cables were finally laid in July and September 1866 by a team of engineers, technicians and sailors, with two groups of financial backers involved and relying on help from the British and United States navies. HMS Agamemnon was deployed on this mission alongside USS Niagara. The occasion caused a great stir at the time and was commemorated in numerous works of art.
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AUCTIONS:
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LOT 1979
Agamemnon 'First Atlantic Cable' Commemorative Buckle
Sold for (Inc. bp): £111
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Stained Glass Panel with the Resurrection
Flemish, 19th century A.D. or earlierSold for (Inc. bp): £1,950
In late 15th century style, showing triumphant Jesus on the foreground, holding a flag and dressed in a brocade cloak, stigmata showing on his hands and feet; two guards on his side looking stunned, one wearing a full plate armour with a sallet and the other a leather corselet with a bascinet, third guard at the bottom of the panel looking terrified; an angel dressed in white robe, extending his arms towards Jesus; the opened tomb on the background and medieval Flemish inscription at the bottom reading 'DE VERISENIS VAN CHRISTUS’ (the Resurrection of Christ) in uncial letters; some restoration. 4.5 kg, 65 x 53.5 cm
Some restoration.
From a war-damaged church in Belgium. Ex property of a late Northumberland collector. From a private collection, Derbyshire, UK. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The scene represents the Resurrection of Christ according to the Gospel of Matthew (28,2-4), as revealed by the presence of an angel moving away the stone, and of the soldiers. According to the Christian tradition, the bodily resurrection was the restoration to life of a body transformed and nourished by the spirit, as described by Paul and the Evangelists, which led to the affirmation of Christianity. In Christian theology, the Resurrection of Jesus is ‘the fundamental mystery of faith’, as recalled by Easter, together with the remaining Christological mystery (Incarnation, Passion and Death), and together with the Logia and the works of the ministry of Jesus. For Christians, the resurrection of Jesus is a guarantee that all the dead Christians will come back to life at the time of the parousia (second coming) of Christ. -
African Terracotta Bead Necklace Group
12th century A.D. or laterSold for (Inc. bp): £7
Ten restrung mainly cream and beige-coloured rondelle, tubular and ribbed beads and other types. 70 grams total, 72-74 cm
Ex property of a UK gallery, early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Post Medieval Bronze Face Plaque
Late 19th-early 20th century A.D.Sold for (Inc. bp): £13
Flat panel with high-relief motif of a facing mask flanked by swirls of hair. 16.7 grams, 29 mm
Acquired from Alan Cherry, Bournemouth, UK, circa 2004. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. Accompanied by an old handwritten dealer's ticket. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.