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LOT 2333
African Wooden Ceremonial 'Maiden Spirit' Mask
PUNU TRIBE, EARLY-MID 20TH CENTURY A.D.
14 3/8 in. (851 grams, 36.5 cm).
A wooden mask with traces of white facial pigment and a raffia collar. [No Reserve]
ProvenanceFrom Gabon, West Africa.
From an old Norwich, UK, collection.
From the property of a late Lincolnshire, UK, gentleman.
Punu masks represent idealised female ancestors' faces. The white colour of the mask is genderless and a symbol for peace, deities, spirits of the dead, and the afterlife. It is the predominating colour in funeral celebrations and memorials. The masks were worn during funerals. They appeared also in the magical rites whose function was to unmask sorcerers. The masks have realistic, mostly white but sometimes black faces with protruding pursed lips, globular protruding eyes incised with a curve, high-domed foreheads, and characteristic rigid high coiffures reflecting the Punu women's hair styles. The masks often have an oriental expression, but no such influence has been established. Many Punu masks can be recognized by raised diamond-shape scarification marks on the foreheads and temples.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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The Kissi as early as the 15th century, revered soapstone (steatite) anthropomorphic carvings, which are found in fields and rivers in the area centered around Sewa and Mano rivers. The Kissi people call them Pomdo (Pombo), which mean "the deceased". Some of their carvings are extremely old. These statues were the abodes of the spirits of their ancestors. In order to find out which ancestor a statue represented; a man’s dreams were analyzed with the help of the diviner. At festivities the statue was wrapped in cotton upon which sacrificial blood had been poured. The owner (the guardian of the statue) placed it on the family altar; hence it was thought to be the family’s protector against sickness. It was also consulted before a new undertaking was planned. The statues were believed to have supernatural power and were used in rice cultivation. Remarkably, the descendants of the Kissi people still keep up the tradition of stone carving. -
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