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LOT 2351
African Wooden Ceremonial Face Mask
PENDE TRIBE, EARLY-MID 20TH CENTURY A.D.
14 3/4 in. (560 grams, 37.5 cm).
Carved with scarification panels to the cheeks and forehead, protruding mouth with teeth, flat nose and a neck panel below the chin. [No Reserve]
ProvenanceFrom Democratic Republic of the Congo, Central Africa.
From the collection of the late Professor R M Hicks, OBE.
From the property of a late Lincolnshire, UK, gentleman.
Pende masks are among the most dramatic works of all African art. There are two styles: the western one of the Kwilu with its mbuya mask characterized by a somber, gloomy expression, and the Kasai style that is more geometric and colorful. The Kwilu Pende are especially well known for their masks that were originally used for circumcision ceremonies but later became accessories for a type of popular theater. The minganji, or masks of power, represent the ancestors; the mbuya, or village masks, represent human types, such as the chief, the diviner, the epileptic with a twisted mouth, the madman or man in a trance, the widow, the lover, or the executioner.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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African Wooden Ceremonial 'Maiden Spirit' Mask
Punu Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £39
A wooden mask with traces of white facial pigment and a raffia collar. 851 grams, 36.5 cm
From Gabon, West Africa. From an old Norwich, UK, collection. From the property of a late Lincolnshire, UK, gentleman.
Punu masks represent idealised female ancestors' faces. The white colour of the mask is genderless and a symbol for peace, deities, spirits of the dead, and the afterlife. It is the predominating colour in funeral celebrations and memorials. The masks were worn during funerals. They appeared also in the magical rites whose function was to unmask sorcerers. The masks have realistic, mostly white but sometimes black faces with protruding pursed lips, globular protruding eyes incised with a curve, high-domed foreheads, and characteristic rigid high coiffures reflecting the Punu women's hair styles. The masks often have an oriental expression, but no such influence has been established. Many Punu masks can be recognized by raised diamond-shape scarification marks on the foreheads and temples. -
African Decorated Brass Cuff Bracelet
Benin, late 19th century A.D.Sold for (Inc. bp): £26
A highly patterned round bronze body with plain disc shaped ends, radiating studs to the outer edge. 59 grams, 74 mm
From Benin, West Africa. Ex Surrey, UK, ethnographical collection. From the property of a late Lincolnshire, UK, gentleman. -
African Wooden 'Akuaba Doll' Wedding Fertility Figure Pair
Ashanti Tribe, early-mid 20th century A.D.Sold for (Inc. bp): £26
Each with exaggerated discoid head, squat body with stub arms, standing on a conical base. 985 grams total, 36-36.5 cm
From Ghana, West Africa. Ex private Cheshire, UK, collection. From the property of a late Lincolnshire, UK, gentleman.
Among the Ashanti people in Ghana, women hoping for offspring carry these ‘Akuaba dolls’ in their clothes. Traditionally, these ‘Akuaba’ have a large, round, flat head that is reminiscent of its origin as a representation of the moon goddess, which is associated with fertility. Once the ‘Akuaba’ figure has fulfilled its purpose, the mother of the desired child places it on her domestic altar, where it is worshipped in a shrine, or she passes it on to the next generation.
