African Wooden Ceremonial Face Mask

A hand-carved standing female figure with hands placed in front of the figure and wearing arm rings. 930 grams, 48 cm



From Equatorial Guinea, West Coast of Central Africa. From an old Bristol, UK, ethnographical collection. From the property of a late Lincolnshire, UK, gentleman.

The people that are called “Fang” in the geographic or ethnographic literature number 800,000 and constitute a vast mosaic of village communities, established in a large zone of Atlantic equatorial Africa comprising Cameroon, continental Equatorial Guinea and nearly the whole north of Gabon, on the right bank of the Ogowe River. The Fang practice a cult devoted to ancestor lineages, the bieri, whose aim is to both protect themselves from the deceased and to recruit their aid in matters of daily life. Bieri are reliquary figures placed by the Fang upon their bark boxes to personify the tribal soul, containing the skulls and skeletons of prominent deceased persons. The bieri also served for therapeutic rituals and, above all, for initiations of young males during the great so festival. The rites included consumption of a plant with stimulant properties, which induced a trance lasting for several hours, and the “resuscitation of the ancestors,” in which figures detached from the reliquaries were moved somewhat playfully from behind a raffia screen as puppets.

Hollow to the rear with protruding bosses for the eyes, applied fabric to lower edge. 181 grams, 22.1 cm



From Democratic Republic of the Congo, Central Africa. From the Estate of Dr J Bynon; acquired 30 July 1911. From the property of a late Lincolnshire, UK, gentleman.

Most Lega masks are sculptures of a human face that are rarely worn over the face and never for purposes of true transformation. The Lega masks can be assigned different uses and meanings depending on the context of the performance. In Bwami ceremonies, masks are attached to different parts of the body, fixed to hat, piled in stacks, hung on fences, held in the hand, dragged on the ground, and occasionally worn on the forehead with the beard draping over the face of the wearer or arranged on a miniature palisade. Participants in most rites display their masks as a group in conjunction with particular dance movements and aphorisms, which vary depending on the context in which they are used. Lega masks differ from those used in many other African masquerades in that while women do not own them, both men and women handle and present them in very similar performances. Masks are among the initiation objects displayed on the grave before being passed to new owners. They are usually passed from an uncle to a nephew.

A carved face mask, decorated with cowrie shells, fabric and bells. 547 grams, 29 cm



From Democratic Republic of the Congo, Central Africa. From an old Hampshire ethnographic collection; acquired prior to 1960. From the property of a late Lincolnshire, UK, gentleman.