African Brass Kano Bracelet Pair

Teardrop-shaped in plan with two scooped facets, slit eyes; pierced around the edge for attachment. 57 grams, 14.7 cm



From Democratic Republic of the Congo, Central Africa. From the Estate of Dr J Bynon; acquired 22 February 1914. From the property of a late Lincolnshire, UK, gentleman.

Most of Lega masks are sculptures of a human face that are rarely worn over the face and never for purposes of true transformation. The Lega masks can be assigned different uses and meanings depending on the context of the performance. In Bwami ceremonies, masks are attached to different parts of the body, fixed to hat, piled in stacks, hung on fences, held in the hand, dragged on the ground, and occasionally worn on the forehead with the beard draping over the face of the wearer or arranged on a miniature palisade. Participants in most rites display their masks as a group in conjunction with particular dance movements and aphorisms, which vary depending on the context in which they are used. Lega masks differ from those used in many other African masquerades in that while women do not own them, both men and women handle and present them in very similar performances. Masks are among the initiation objects displayed on the grave before being passed to new owners. They are usually passed from an uncle to a nephew.

Carved stone statues (twins) from Sierra Leone; two steatite anthropomorphic carvings, one male and one female, both with hands wrapped around the knees. 2.55 kg total, 20-23.5 cm



From Sierra Lione, West Africa. From an old Norwich, UK, collection. From the property of a late Lincolnshire, UK, gentleman.

The Kissi as early as the 15th century, revered soapstone (steatite) anthropomorphic carvings, which are found in fields and rivers in the area centered around Sewa and Mano rivers. The Kissi people call them Pomdo (Pombo), which mean "the deceased". Some of their carvings are extremely old. These statues were the abodes of the spirits of their ancestors. In order to find out which ancestor a statue represented; a man’s dreams were analyzed with the help of the diviner. At festivities the statue was wrapped in cotton upon which sacrificial blood had been poured. The owner (the guardian of the statue) placed it on the family altar; hence it was thought to be the family’s protector against sickness. It was also consulted before a new undertaking was planned. The statues were believed to have supernatural power and were used in rice cultivation. Remarkably, the descendants of the Kissi people still keep up the tradition of stone carving.

A hand-carved standing female figure with hands placed by the side, some scarification and wearing arm rings. 1.06 kg, 48.5 cm



From Côte d'Ivoire, West Africa. From an old Bristol, UK, ethnographical collection. From the property of a late Lincolnshire, UK, gentleman.

The Baule are noted for their fine wooden sculpture, particularly for their ritual figures representing spirits; these are associated with the ancestor cult. The figures and human masks are often elegant, well polished with elaborate hairdressings and scarification.