African Ashanti Bronze Figural Gold Weight Collection

Penannular in profile and round in section with integral pellet and wire detailing. 248 grams, 10.5 cm



From Nigeria, West Africa. From an old Derby, UK, specialist collection. From the property of a late Lincolnshire, UK, gentleman.

Also known as okpoho, Okombo or abi. Once a form of currency for West African peoples, manillas became one of the main currencies of choice during the slave trade to the Americas. Their usage during this time in history was of such prevalence that they were often referred to as “slave trade money.” The Manilla is in very good condition and measures 105mm wide and weighs about 250gms. Manillas are typically horse shoe-shaped with flared ends and often decorated with balls on each end. Africans from each region had names for each variety of manilla and were very particular about the types they would accept. They valued the Manillas by the sound they made when struck and used them as the dominant form of currency for many things including everyday market purchases, bride price and burials. The main purpose of the manilla – the trading and purchase of slaves- fostered a system where the incoming voyage of Europeans took manillas to West Africa to obtain slaves, who were then taken to the Americas. The price of a slave valued in manillas varied depending on the time, place and type being offered.

Carved from light-coloured, lightweight wood in traditional form and dyed black; large, round head, with striated hairstyle to the centre, large eyes and three short lines representing the typical tribal scarification marks on the forehead; tapering body and stub arms, tiered base. 532 grams, 46.5 cm



From Ghana, West Africa. From the private collection of Mr N.J., Leicester, UK; acquired circa 2010. From the property of a late Lincolnshire, UK, gentleman.

Among the Ashanti people in Ghana, women hoping for offspring carry these ‘Akuaba dolls’ in their clothes. Traditionally, these ‘Akuaba’ have a large, round, flat head that is reminiscent of its origin as a representation of the moon goddess, which is associated with fertility. Once the ‘Akuaba’ figure has fulfilled its purpose, the mother of the desired child places it on her domestic altar, where it is worshipped in a shrine, or she passes it on to the next generation.

Hollow to the rear with protruding bosses for the eyes, applied fabric to lower edge. 181 grams, 22.1 cm



From Democratic Republic of the Congo, Central Africa. From the Estate of Dr J Bynon; acquired 30 July 1911. From the property of a late Lincolnshire, UK, gentleman.

Most Lega masks are sculptures of a human face that are rarely worn over the face and never for purposes of true transformation. The Lega masks can be assigned different uses and meanings depending on the context of the performance. In Bwami ceremonies, masks are attached to different parts of the body, fixed to hat, piled in stacks, hung on fences, held in the hand, dragged on the ground, and occasionally worn on the forehead with the beard draping over the face of the wearer or arranged on a miniature palisade. Participants in most rites display their masks as a group in conjunction with particular dance movements and aphorisms, which vary depending on the context in which they are used. Lega masks differ from those used in many other African masquerades in that while women do not own them, both men and women handle and present them in very similar performances. Masks are among the initiation objects displayed on the grave before being passed to new owners. They are usually passed from an uncle to a nephew.