Achaemenid Pale Blue Glass Bead Necklace String

Representing a god with horned helmet, half animal and half man, standing on the left and holding a staff, near him the hero Gilgamesh killing Humbaba, and the hero Enkindu killing the celestial bull, followed by a mythological divinity depicted as half animal and half human; supplied with a museum-quality impression. 27 grams, 33 mm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12577-232112. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

King Sargon of Akkad created political unity when he seized control of Mesopotamia, and carvings on seals from the time demonstrate his success by portraying the power the Akkadian gods had to legitimize both their domain and their rulers. Religious scenes on cylinder seals detail the spiritual beliefs and practices of the time. The deeply intertwined relationship between religion and state power in Akkad is also present in the decorations of some cylinder seals. Here the hero Gilgamesh, embodying the strength of royal power, kills the monster Humbaba, as the king of Akkad kills his enemies.

With geometric 'stylised fish' motif; supplied with a museum-quality impression. 2.49 grams, 14.09 mm



Acquired in the 1996. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: ' Cylinder Seal of Carnelian, 19 x 10 mm. The design, which is placed between upper and lower rulings consists of a group of three figures. In the centre is a deity, standing in a frontal pose, with strange head and body, the head with horns projecting each side, also a tail hanging down between the splayed legs. With each hand he is holding off a composite animal. The one on the right has a quadruped's body with wings and a bird's head. There is a 'bib' between the front legs as the creature sits on its haunches. The creature on the left is meant to be the same, but is slightly different in details due to less space being available. This is a seal from Syria, c. 800-600 B.C., and is an unusual type. It is based on the common Assyro-Babylonian type of a standing god between two animals, but the god in this case is a variant of the Egyptian Bes and the animals are forms of creatures belonging to East Mediterranean art, not to Assyro-Babylonian art. Save for chipping of the edges the seal is in good condition.'; supplied with a museum-quality impression. 3.63 grams, 20 mm



Ex N. Colville collection. Acquired Christie's, London, 6 July 1994, lot 159. From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.344. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated August 1994. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.