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LOT 2138
WWI Trench Art Wooden Walking Stick
1914-1918 A.D.
33 1/2 in. (389 grams, 85 cm).
Carved as the staff or 'Rod of Asclepius' with a snake curled around the staff and inscribed 'IN MEMORY OF GREAT EUROPEAN WAR'; chip-carved median band and differential staining. [No Reserve]
ProvenanceFrom a Cambridgeshire, UK, collection.
Footnotes'Trench Art' refers to decorated objects made by soldiers from the debris of war and serving as souvenirs and pastimes.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Bactrian Style Lapis Lazuli and Other Bead Necklace String
20th century A.D.Sold for (Inc. bp): £85
Composed of alternating spherical and annular lapis and sodalite beads, interspersed with pale green twisted glass beads, a fish-shaped pendant with incised decoration; restrung. 42.7 grams, 42.2 cm
From London, UK, gallery collection, 1990s. -
WWI Trench Art Wooden Walking Stick
1914-1918 A.D.Sold for (Inc. bp): £286
Carved as the staff or 'Rod of Asclepius' with a snake curled around the staff and inscribed 'IN MEMORY OF GREAT EUROPEAN WAR'; chip-carved median band and differential staining. 389 grams, 85 cm
From a Cambridgeshire, UK, collection.
'Trench Art' refers to decorated objects made by soldiers from the debris of war and serving as souvenirs and pastimes. -
Post Medieval Marble Portrait of a Man
17th-18th century A.D.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Modelled in the round with a frowning expression, a triangular face with angular features and thick banded hair; recessed to the top of the head. 35.1 kg, 41 cm high including stand
Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13082-249677.
From the late 17th century until around the 1760s, classical nostalgia and the viewing and recording of classical remains became major occupations for aristocratic young men who went on the ‘Grand Tour’. In Rome, for example, some British visitors counted and measured the huge number of ancient columns and obelisks still visible in the city. The wealthiest brought back antiquities, including stones with Latin inscriptions, and redesigned their gardens to display them. More significantly, such travels also encouraged those who went to redefine their own origins and native identities within a wider European context. The taste for the reproductions of ancient monuments involved also the sculptures of Middle Age.
