Women's Rights Vintage Pin Badge Collection

With pierced rectangular suspension lug; three round figural panels to the sidewall each with a nimbate figure; interstitial tongue-shaped vertical panels; Lombardic script legend to rim with 'MDLVI' year; ferrous remains to inside. 184 grams, 62 mm



Found Hannington, Swindon, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme report no.WILT-433FA9. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Standing on an angular base resting his left knee on the open jaws of a fish, his left arm holding the jaws open, the body and tail held upright be the raised right hand (partly absent); with heavy sulphured patina. 20.75 kg, 48 cm



Acquired prior to 1970. From the estate of a Swiss gentleman, Ticino. Private collection, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12790-240308. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

In ancient Roman art and architecture, fountains were often decorated with sculptures of young boys or putti holding fish. These sculptures were known as 'putti with fish' or 'boy with fish' and were a popular motif in the decoration of fountains. The young boy or putti was shown holding a fish or a shell, which would spout water into the fountain basin below. The fish was a particularly popular motif because it symbolised abundance, fertility, and prosperity, which were all important values in ancient Roman society. Overall, the putti with fish sculptures are a notable example of the art and architecture of ancient Rome and have continued to be an enduring symbol of beauty, abundance, and prosperity throughout the centuries. Archaeological excavations in Pompeii have revealed many examples of sculptures of putti with fish. The putti with fish sculptures from Pompeii were usually made of bronze, marble, or terracotta. They were often placed in the centre of the fountain, surrounded by other decorative elements such as flowers, plants, and other sculptures. Many of these putti with fish sculptures are now on display in the National Archaeological Museum of Naples. The museum also houses a famous mosaic of a putto with a fish, which was discovered in the House of the Faun in Pompeii. The putti with fish sculptures from Pompeii and those in the Naples Museum provide valuable insights into the art and culture of ancient Rome. They demonstrate the importance of beauty and abundance in ancient Roman society and offer a glimpse into the everyday life of the people who lived in Pompeii over two thousand years ago. In the 17th and 18th centuries these sculptures were imitated and used to decorate the fountains of royal palaces and palaces.

Copy of a Greek sculpture (now lost) from the Hellenistic period (323-31 BC) thought to have been made in bronze; a young Galatian warrior, wounded in the chest by a sword blow and dying, half-lying with his face turned downwards; with typical features of the idealised Celtic warrior: the high cheekbones, the hairstyle with thick and long locks, and the moustache (mytax); resting on a discarded shield with short sword under his right hand, straps and two tubular war-horns. 4 kg, 32 cm



From the private collection of a S.W. London gentleman, acquired in the 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The Dying Gaul statue was rediscovered in Rome in the early 17th century, specifically in the 1620s, during excavations for the Villa Ludovisi. It was initially part of the Ludovisi collection and later acquired by Pope Clement XII for the Capitoline Museums. Except for a torque around the neck (a metal necklace typical of Celtic warriors), the figure is completely naked. It is possible to identify the figure tentatively as the ‘Trumpeter of Epigonos’ mentioned by Pliny (Natural History 34.88).