Western Asiatic White and Beige Stone Bead Necklace String

A rectangular brick-shaped tablet, inscribed in cuneiform script across three vertical faces, with a single column to the fourth and a continuation of text across the top surface; the inscription a funerary curse relating to the tomb of Adad-šumu-lešir, warning against interference with the burial, reading in part: 'As for a stranger, or somebody who would approach that tomb, or would bring up a corpse out of it and bury his own within, or would touch the silver inside - Adad, Šamaš, or Nergal will fill his house and field with shortage, collapse, and murder. He will repay the property of that tomb sevenfold, dedicating it to Šuriha. For the offspring of Adad-šumu-lešir he shall be undone for taking out and bringing down objects in the tomb, and for burying another body within it. Month Kalmartu, third day, eponymy of Aššur-mušezib.' 333 grams, 14.3 cm



Acquired in 1996. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12872-241667.

Funerary inscriptions of this type are extremely rare survivals, serving both as legal texts and spiritual safeguards, invoking the major deities Adad, Šamaš, and Nergal to enforce the curse.

Ovoid in plan with ram-head finial and spout, filling-hole to the centre back and stub tail forming a handle; hatched panels to the sidewall with reserved running zigzag, radiating bands of impressed point ornament, head with forward-facing curled horns. 578 grams, 20.5 cm



with Artemis gallery, Münich. Acquired by the present owner from the above in 1992. Accompanied by a thermoluminescence analysis report no.N126a13 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12260-222201.

A designer necklace composed of forty amethyst beads of various shapes and six gold spheres, decorated with granulation and spirals, forming opposed pelta patterns; with later openwork clasp. 69.6 grams, 52.5 cm



Acquired on European art market, 1990s. Private collection of Mr K.A., France. with Kallos Gallery, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13012-246749.

Amethyst was widely used in Graeco-Roman Egypt. We know that the amethyst mines of Abu Diyeiba, near Semna, were in use from the time of Ptolemy VI through to the Roman era. Pliny says that Indian amethysts were the best, but he also refers to amethysts from Egypt. The Egyptian amethysts are typically flawed and of a pale, almost pink, hue. They were seldom set in gold and were most usually made into beads. Ptolemaic and Roman inscriptions and artefacts have been found at amethyst mines in Egypt’s eastern deserts.