Western Asiatic Whetstone with Lion-Headed Terminal

Squat turquoise-glazed dish with three bun feet, carinated profile, flared rim, painted band of arabesque panels to the shoulder and scrolled tendril motif to the centre. 250 grams, 12.5 cm



Ex London, UK, gallery, 1971-early 2000s. London, UK, collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled in the round figure of a standing deity with textural detailing to the hair, naïve facial features with exaggerated eyes to accept inserts (absent) and slit mouth, gripping hands held out at the chest and one pierced to accept an attribute, knee-length garment, collar or necklace below the throat; mounted on a custom-made stand. 15.55 kg total, 47.5 cm high including stand



Ex Hans G. collection, Belgium, 1967-1983. Belgian art market, 1983. Private German collection of Mrs H., 1985-1993. with Pierre Bergé & Associés, Paris, 26 November 2013, no.198 (€40,000-45,000). Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by a copy of the relevant Pierre Bergé & Associés printed catalogue pages (double page spread). Accompanied by a copy of an Art Loss Register certificate no.S00119290. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12468-230327. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Similar free-standing statues have been found in the royal cemetery in Aswan (probably Khazinet ed-Darb in the Wādī Markha), and at Hayd ibn Aqil (Timna), in Yemen. They are mainly statuettes from the Yemeni kingdoms of Awsan and Qataban, which developed in the Beihan Valley. They represent rulers or important dignitaries of both reigns. The statue is remarkable for the detailed treatment of the facial features, hair and dress: the woman is portrayed wearing a long plain dress, similar to the modern futah of Yemenite people. The eyes were originally inlaid with shell set with polished obsidian pupils, giving a life-like effect to the static statuettes.

With flanged rim, central mesomphalos boss surrounded by radiating lotus petals. 167 grams, 16.5 cm



Acquired 1980-2015. Ex Abelita family collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Phiale mesomphalos (literally: bowl with central boss) were the most popular form of vessel and were produced in a number of materials, including clay, bronze, silver and gold. They are a distinctive type of Achaemenid tableware, made by hammering or raising sheet metal, with decoration added in repoussé. They were used in banquets held by the nobility and for pouring libations at religious festivals. Phiales of this kind were a common gift from the Achaemenid king to the nobility which helped cement alliances among the different tribes of the Empire. The central boss to the underside allowed the user to secure their fingers and ensure a solid grip whilst drinking or pouring.