Western Asiatic Style Millefiori Glass Bead Necklace

Comprising: three carnelian intaglios with profile busts; an agate intaglio with profile bust; a lozenge-shaped intaglio with bird and other symbols, possibly made of stained bone; an octagonal green stone intaglio with worn motif; and a lapis lazuli bead. 9.71 gram stotal, 9-24 mm



Acquired on the European art market.

Skilfully carved cameo depicting the jewelled profile bust of Maria Theresa facing right, the background is highly polished, whilst the relief is rendered with contrasting polished and matt elements; the high-carat gold brooch setting likely original to the jewel and set with a border of blister pearls. 9.69 grams, 37 mm



Acquired on the European art market.

Maria Theresa Walburga Amalia Christina (c.1717-80) was ruler of the Habsburg dominions from 1740 until she died in 1780, and the only woman to hold the position suo jure. She was the sovereign of Austria, Hungary, Croatia, Bohemia, Transylvania, Mantua, Milan, Lodomeria and Galicia, the Austrian Netherlands, and Parma.

Standing on an angular base resting his left knee on the open jaws of a fish, his left arm holding the jaws open, the body and tail held upright be the raised right hand (partly absent); with heavy sulphured patina. 20.75 kg, 48 cm



Acquired prior to 1970. From the estate of a Swiss gentleman, Ticino. Private collection, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12790-240308.

In ancient Roman art and architecture, fountains were often decorated with sculptures of young boys or putti holding fish. These sculptures were known as 'putti with fish' or 'boy with fish' and were a popular motif in the decoration of fountains. The young boy or putto was shown holding a fish or a shell, which would spout water into the fountain basin below. The fish was a particularly popular motif because it symbolised abundance, fertility, and prosperity, which were all important values in ancient Roman society. Overall, the putti with fish sculptures are a notable example of the art and architecture of ancient Rome and have continued to be an enduring symbol of beauty, abundance, and prosperity throughout the centuries. Archaeological excavations in Pompeii have revealed many examples of sculptures of putti with fish. The putti with fish sculptures from Pompeii were usually made of bronze, marble, or terracotta. They were often placed in the centre of the fountain, surrounded by other decorative elements such as flowers, plants, and other sculptures. Many of these putti with fish sculptures are now on display in the National Archaeological Museum of Naples. The museum also houses a famous mosaic of a putto with a fish, which was discovered in the House of the Faun in Pompeii. The putti with fish sculptures from Pompeii and those in the Naples Museum provide valuable insights into the art and culture of ancient Rome. They demonstrate the importance of beauty and abundance in ancient Roman society and offer a glimpse into the everyday life of the people who lived in Pompeii over two thousand years ago. In the 17th and 18th centuries these sculptures were imitated and used to decorate the fountains of royal palaces and palaces.