Western Asiatic Rock Crystal Bead Necklace String

Funnel-shaped with stepped foot, cream-glazed inner face with bold orange Kufic script motif; repaired. 324 grams, 17.2 cm wide



From the private family collection of Ersula Barter-Hemmerich, the longest serving member of staff working at the United Nations, her private collection formed in the 1950s and 1960s; thence by descent to her grandson. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Conical in profile with flat base and U-shaped channel through the apex. 8.4 kg, 20 cm



Formerly in a Mayfair, London, UK, gallery. From the collection of a London, UK, gentleman. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cylinder with standing figures and animals, restrung pair of red stone beads, old handwritten label '1659'; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Black Stone, 40.5 x 19.5 mm. The deeply engraved design shows two warrior gods, standing, wearing short kilts with one hand raised the other holding an object the one holding a spear, the other an unidentified item represented by a vertical line. Before each standing warrior god is a sideways horned animal in one case and a sideways donkey in the other. There is a row of symbols along the top of the area: a circle with cross inside, an inverted crescent and dot, and a bull's head. There are horizontal rulings above and below the scene. This is a North Syrian or Anatolian seal c. 2000-1800 B.C. This is a rare type, and a nice example. The points on the top of the heads of the gods are no doubt spiked helmets, and the short kilt also fits the Anatolian storm god, which was worshipped in a variety of different forms. The style of engraving is deep but uncluttered and has a considerable charm.'; accompanied by a museum-quality impression. 30.8 grams, 40 mm



Armand Trampitsch, Glyptique Archéologie, Paris, Hôtel Drouot, 13-14 May 1992, no.23 [Part]. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in 1992. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.