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LOT 1418
Western Asiatic Red Glass Bead Necklace String
1ST MILLENNIUM B.C. AND LATER
15 3/8 in. (6.7 grams, 39 cm).
A designer necklace composed of small oblate beads with larger feature beads, restrung to a Y-shape with irregular feature beads. [No Reserve]
ProvenanceAcquired 1980-2015.
Ex Abelita family collection.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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LOT 1418
Western Asiatic Red Glass Bead Necklace String
Sold for (Inc. bp): £72
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Western Asiatic Mixed Bead Necklace String
1st millennium B.C. and laterSold for (Inc. bp): £39
Composed of mainly oblate ceramic beads with two conical beads, restrung to a Y-shape with a green-glazed tabular pendant bead. 32.3 grams, 32 cm
Acquired 1980-2015. Ex Abelita family collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Large South Arabian Alabaster Standing Figure of a Goddess
1st century B.C.-1st century A.D.Sold for (Inc. bp): £54,600
Modelled in the round figure of a standing deity with textural detailing to the hair, naïve facial features with exaggerated eyes to accept inserts (absent) and slit mouth, gripping hands held out at the chest and one pierced to accept an attribute, knee-length garment, collar or necklace below the throat; mounted on a custom-made stand. 15.55 kg total, 47.5 cm high including stand
Ex Hans G. collection, Belgium, 1967-1983. Belgian art market, 1983. Private German collection of Mrs H., 1985-1993. with Pierre Bergé & Associés, Paris, 26 November 2013, no.198 (€40,000-45,000). Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by a copy of the relevant Pierre Bergé & Associés printed catalogue pages (double page spread). Accompanied by a copy of an Art Loss Register certificate no.S00119290. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12468-230327. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Similar free-standing statues have been found in the royal cemetery in Aswan (probably Khazinet ed-Darb in the Wādī Markha), and at Hayd ibn Aqil (Timna), in Yemen. They are mainly statuettes from the Yemeni kingdoms of Awsan and Qataban, which developed in the Beihan Valley. They represent rulers or important dignitaries of both reigns. The statue is remarkable for the detailed treatment of the facial features, hair and dress: the woman is portrayed wearing a long plain dress, similar to the modern futah of Yemenite people. The eyes were originally inlaid with shell set with polished obsidian pupils, giving a life-like effect to the static statuettes. -
Akkadian Black Stone Cylinder Seal of the Sun God Shamash and Worshipping Parade
Circa 2334-2279 B.C.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Finely engraved with a religious scene, sun god Shamash seated on a throne with his feet resting on a padded stand, holding a scimitar in his raised left hand and wearing a horned headdress; four bearded deities and a smaller, clean-shaven young male worshipper before him, each of the deities wearing a horned headdress and a pleated garment; accompanied by a museum-quality impression. 49.1 grams, 40 mm
From the 'S' collection, acquired 1970-1990s. The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993. Accompanied by a copy of a report from Assyriologist Hui Li. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12539-231427. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The seal's excellent glyptic techniques, naturalistic depictions of the facial features, and the presented religious scene suggest that this seal might have belonged to a high official.