Western Asiatic Pottery Jar with Birds

A trio of wheel-thrown dishes, each with a shallow foot: a turquoise-glazed example with helical motif around the rim, roundels and central interlace motif to the bowl; a second turquoise-glazed bowl decorated with dark amorphous patches to the rim and an interlace-style motif to the bowl; a dark blue-glazed bowl with black strips to rim, three nodules to bowl, concentric roundels framing an interlace design; iridescent surfaces. 599 grams total, 14.5-15.5 cm wide

Fine condition, minor abrasions and nicks.

Private California collection, USA. With Artemis Gallery, Colorado, USA. Private collection of Professor Kenneth Graham, London, UK. Accompanied by a certificate of authenticity from Artemis Gallery.

A large clay tablet fragment bearing panels of cuneiform text to the principal face, separated by plain parallel lines; remains of cuneiform text to the reverse; a Babylonian treatise concerning the study of the liver of a sacrificial lamb; repaired. 533 grams, 15.6 cm wide



Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1992. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples.

The prophetic practise of hepatoscopy, was called in Akkadian barûtu, the art of divination. It is a collection of omens in standard Akkadian (including many sumerograms) each composed of a protasis (description of the configuration of the organ at the time of observation by the diviner) followed by the apodosis giving the omen itself. The fragment preserves the beginning of the treaty on the face and the end on the reverse. Among the various omens is a so-called historical one concerning King Sargon of Akkad (ca. 2350 BCE). A colophon indicates that the text is a copy of an ancient original. The name of the scribe is Mudammiq-Adad. His work was verified by Ur-Nintinuga, a Sumerian name from the Cassite period.

A pair of bronze pins with bifurcated coiled terminals and incised geometric motifs to the upper stems. 59 grams total, 19-19.5 cm



UK private collection before 2000. UK art market. Property of a London gentleman.