Western Asiatic Idol Collection

A bifacial, lentoid-section rectangular clay tablet with rounded corners and short sides, medial horizontal line to each face, with hand-drawn pictographs above and below, a count of sheep and caprids. 42 grams, 66 mm wide



Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1992. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11637-198551.

Early writing was used primarily as a means of recording economic data; this tablet likely records deliveries and distributions of grain. At the end of the 4th millennium B.C., written language developed in Mesopotamia as pictographs, later evolving into abstract forms called cuneiform. Pictographs were drawn in the clay with a pointed implement. Circular impressions alongside the pictographs represented numerical symbols. Cuneiform (meaning wedge-shaped) script was written by pressing a reed pen or stylus with a wedge-shaped tip into a clay tablet.

A carinated ceramic jar with everted rim and convex base, painted frieze to the shoulder displaying alternating pyramids and dot-in-ring motifs, possibly representing a landscape. 1.07 kg, 18 cm wide



Acquired 1990s. English private collection. Property of an Essex gentleman.

A pair of bronze pins composed of tapering round-section stems and balustered upper bodies and domed heads; one pin tip lost in antiquity. 54 grams total, 14.3-16.7 cm



UK private collection before 2000. UK art market. Property of a London gentleman.