Western Asiatic Gold Ornamental Pendant

Cylinder with attached cord and bead handle; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: ' Cylinder-Stamp Seal of Bronze, 330x08.5 mm. The seal is surmounted by a suspension loop, beneath which is a double-faced demon head with large, animal-like ears and beards. The neck is decorated with horizontal lines at the fronts and vertical lines at the sides. This rests immediately on the seal proper. The design of the cylinder seal is put between double lines above and beneath. It shows a standing worshipper with raised hands before an incense burner, a group of seven dots, a lunar cresent [sic], a lozenge-shape and a slender tree. The base, the stamp seal, shows a winged solar disc. Such seals, which are quite rare, come from the mountainous area to the north of Mesopotamia, and date from c. 900-700 B.C. In this case the worshipper and the winged disc are borrowed from Assyrian art, but the combination of items before the worshipper is not Assyrian. The demon-head cannot be identified with certainty, though it may be a variety of the Mesopotamian Pazuzu.'; accompanied by museum-quality impressions. 7.82 grams total, 8.1-32.64 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in September 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Discoid in plan with convex upper face; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Stamp Seal of Amber Chalcedony 21 x 19 x 11 mm. This is a scaraboid pieced vertically. The design shows a standing worshipper in long robe raising one hand to a stand on which is a prancing bull on the back of which rises a pole surmounted with a lunar crescent. The stand is covered with wavey lines. This is a Late Babylonian seal, c. 600-350 B.C. from Mesopotamia or an adjacent area. The general design is typical for the period, but the stand with wavey lines and the prancing bull are rare and may be unique to this seal. The seal is worn and there is a chip by the head of the worshipper, but the design is entirely clear'; accompanied by a museum-quality impression. 6.33 grams, 20.92 mm



with Christie's, London, 13 June 2000, no.517 [Part]. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in July 2000. Accompanied by copies of the relevant Christie's catalogue pages. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Description of Cylinder Seal of Fossil Shell 30 x 16.5 mm. A god standing in the centre succours a domestic animal on either side which is being attack[ed] in turn by a lion. Terminal: two line[s] below vacant description panel. The seal is of late ED III or early Akkad date, c. 2400-2200 B.C. The cutting is marked by a strong use of the drill. The seal is worn, though the design clear. The meaning of the design is based on real life. Lions were a real threat to the herds and flocks of the community, and it was hoped that the depiction of a god coming to the rescue of the domestic creatures would mean that in real life their animals would be similarly saved by divine help.'; accompanied by a museum-quality impression. 16.1 grams total, 8.1-29.57 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in August 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.