Western Asiatic Cylinder Seal with Worship Scene

An architectural silver wedding ring composed of a rectangular-section hoop bearing the words ‘mazel tov’ (good fortune) in Hebrew characters; roughly cushion-shaped bezel with large openwork building above, likely representing Solomon’s temple or a synagogue, hinge and clasp at the base, opening to a model of what is likely a representation of the marriage contract which lifts out of its setting to reveal a void; incised stylised detailing to the building with two handprints placed over the arched doorway; Hebrew text to both principal faces of the bezel with wreaths below reading 'קול חתן וקול כלה' to one side and 'קול ששון וקול שמחה' to the other, together forming a quotation from Jeremiah 33:10-11: 'The voice of joy and the voice of gladness,​ the voice of the bridegroom and the voice of the bride'. 107 grams, 10.4 cm overall, 19.08 mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19)



From a UK private collection.

A Jewish wedding consists of the signing of a marriage contract (ketubah) and the gift of a token, usually a ring. The ring was generally worn only during the ceremony and is often made in the form of a miniature building, signifying the new household as well as the Temple in Jerusalem. Traditionally, the ring had to belong to the groom and to be made of a precious metal not set with any gemstones. The Earliest Jewish wedding rings were found in the medieval treasure hoards of Erfurt in Germany and Colmar in France. The description of a wedding in 1400 by Rabbi Jakob hal Lewi Mölln (or Mishagin) made the importance of the ring clear: 'After the blessing, the Rabbi called two witnesses. He showed them the wedding ring and made them bear witness that it was worth at least a heller. Then he enjoined them to make sure that the groom fulfilled his marriage vow by saying the words 'By this ring let thou be given to me by the laws of Moses and of Israel'. He then put the ring on the bride's finger next to the thumb.'

A group of four plano-convex stone stamp seals, each drilled for suspension and bearing an incuse design to base: a quadruped; cockerel with scorpion; ritual symbols; accompanied by a museum-quality impression of each seal. 26 grams total, 15-22 mm



From a UK private collection, 1980-1983.

A Ghaznavid style squat bowl with convex wall and rounded base, worn remains of punched ring-and-dot decoration to the exterior. 741 grams, 25 cm wide

Fine condition.

English collection formed in the 1990s. UK art market. Property of an Essex gentleman.