Western Asiatic Black Stone Seal with Cross

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Faience, Cream, 29 x 14 mm. The area of the design is divided into a smaller upper and a larger lower register. In the upper register are three horned animals, two with their heads down browsing, the third recumbent with its head up. In the lower register there is a kneeling god holding up a dead horned animal by its hind leg; two standing figures (priests) with a stylized tree between them; and two facing sphynxes above a fallen horned animal. This seas belongs to the Mittani common style, c. 1500-1200 B.C., and is one of the better specimens of its type. It probably comes from Syria, though Mitanni seals are found also in Palestine, Anatolia and Northern Mesopotamia. This double register type seems to be restricted to Syria. The tree is a symbol of the storm god, Teshub, but it is not known which god is represented by the horned animal.'; accompanied by a museum-quality impression. 6.44 grams total, 8.1-28.8 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in August 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising a rounded base and inverted rim, circumferential band to the rim. 224 grams, 15 cm



Acquired 1980-2015. Ex Abelita family collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

An Aramaean rectangular dish with sloping sides, an inward-facing goat-head at each corner; handle formed as a recumbent lion biting the rim; each beast with recessed eyes to accept inserts; ropework band to the underside. 698 grams, 22 cm



Windermere Collection, Germany, 1960s. American collection, Phillips, 1960s-1980s. with Fortuna Fine Arts, 2012. From the S.M. collection, 2012-2016. From an important London collection, 2016. Private collection. Accompanied by a copy of an Art Loss Register certificate no.S00118561. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12164-218579. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The Aramean civilisation produced superb specimens of vessels, in which the lion, symbol of royal power, was one of the most relevant decorative motifs. Vessels of this typology are already known from the Anatolian culture of Kültepe, the first Hittite capital, since the Middle Bronze Age. Also the culture of Ugarit (Ras Shamarra) produced cups with similar lion heads, in a period of 1500 and 1300 B.C.