Western Asiatic and Roman Style Bronze Artefact Group

Representing the Vladimir Mother of God with the Divine Child; the half-length figure Mary with covered head turned right and with her left hand raised; holding the embracing infant Jesus in her right hand; above them inscription in Greek letters 'ΜΡ ΘΥ' (Mother of God); flanking the central icon and beneath it the images of the Saints Peter, Paul, Peter of Moscow and John Chrysostomos, Saint Gregory and Saint Dimitri; in the foreground the city of Vladimir. 96 grams, 60 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The original icon prototype of these smaller icons was the icon of the Virgin Mother of Vladimir with the infant Jesus (the original preserved in the Tretyakov Gallery, Moscow), probably the most famous icon of Russia, which was thought to have been created in Constantinople in the early part of 1100s. This image is sometimes referred to as the ‘tenderness icon’, with artists attempting to show the close relationship of mother and son with their cheeks touching as they embrace.

Tripod figure with extended neck and dorsal loop; based on a red-polished ware animal-shaped vase (rhyton) of the early Bronze Age era (circa 2,400 B.C.); after the antique. 548 grams, 20.6 cm



Acquired on the UK art market since the 1990s. Property of a West Northamptonshire, UK, gentleman.

Hollow-formed female head with diadem, hair drawn back and tied at the rear of the head, exaggerated facial features. 3.16 kg, 29 cm



Acquired on the UK art market.