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LOT 1460
Viking Bronze Urnes Style Mount Collection
11TH CENTURY A.D.
1 1/8 - 1 3/4 in. (41.7 grams total, 29-46 mm).
Comprising: one C-shaped mount with tendril detailing; two irregular pierced pendants with beast-head suspension lug; one lead master for making pendant moulds. [4, No Reserve]
ProvenanceFrom the collection of a North American gentleman, formed in the 1990s.
LiteratureCf. similar form of mounts in the British Museum, London, under accession number 1984,0302.1; Lincoln Museum, DT 174 AE 108; Hemel Hempstead (St Albans’ Museum Service (Verulamium Museum), SABMS, 81.281; for their use see Beatson, P., 'Wickelbander' in Varangian Voice, 37, November, 1995, pp.9-17, fig.8.
FootnotesThe comparatively recent finds from Lincoln, Hemel Hempstead and Grantham have considerably augmented the number of objects found in England decorated in the Urnes style, the last art style of the Vikings, and indicate that English metalworkers could produce objects of high quality. The employment of these mounts was probably linked with the fastening of puttees around the calves, the so-called wickelbander. Evidence for similar mounts as fastening pieces comes from Leyre (Danemark) and Novgorod (Ryurik Gorodische), and many other localities.
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From the collection of a North American gentleman, formed in the 1990s. -
Viking Silver Zoomorphic Hook Fastener
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Of sub-triangular shape, incised segmented border; pierced. 2.24 grams, 31 mm
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Viking Age Bronze Implement Pendant
9th-11th century A.D.Sold for (Inc. bp): £65
With tear-drop plaque, pierced lug and scoop finial, low-relief geometric ornament. 10.9 grams, 93 mm
From the collection of a North American gentleman, formed in the 1990s.
In the Finno-Ugrian and Eastern Viking societies the status that an individual might achieve through personal qualities, social position and wealth was enhanced by valuable clothing, finely worked jewellery made of precious metal (like chatelaine chains for women) and, for the men, weapons and horse furnishing of exceptional quality. Families and individuals visually expressed the elements of other societies and cultures that they thought were desirable through the deliberate use of foreign objects.
