Viking Age Twisted Bronze Bracelet

Comprising: a tongue-shaped mount of Williams's Class A Type II with pierced trefoil final, high-relief wolf in profile with head raised, two rivet-holes to the base and narrow ledge to the reverse; a triangular mount of Williams' Class A Type 14 with three radiating arms at the apex and rivet-hole between, low-relief chevron to the plaque, angled ledge to the lower edge with median rivet-hole. 43.3 grams total, 49-53 mm



Acquired on the UK art market in the 1980s. From an East Anglian private collection.

Comprising links formed from coiled wire, hook-and-eye closure; free-running suspension loop and axe-head pendant. 13 grams, 58.5 cm



Acquired on the London art market in the late 1980s-1990s. From the family collection of an East London, UK, gentleman.

Openwork bronze bifacial handle formed as a central facing male bust flanked by two oppose birds of prey with beaks placed beside his head; pierced lug between; below, row of discs above a transverse bar with long socket to the underside. 27.3 grams, 57 mm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12435-225923.

The image of Óðinn (Odin) with his ravens Huginn and Muninn appears widely in the Viking world, and is mentioned in the Icelandic poem collection Poetic Edda and elsewhere. The two birds fly around the world collecting news and then report it to the god in the evening. He says that he fears the ravens may not return from their flight: since their names mean 'thought' and 'memory', the meaning of the verse is that the god is anxious about the loss of these faculties.