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LOT 1226
Viking Age Silver Twisted Torc
9TH-11TH CENTURY A.D.
5 1/8 in. (38 grams,13 cm).
A small silver neck torc formed of twisted rods with hammered looped terminals. [No Reserve]
ProvenancePreviously acquired in the 1980s.
From a North West London collection.
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Anglo-Scandinavian Viking Boar's Head Stirrup Mount
10th-11th century A.D.Sold for (Inc. bp): £182
A copper-alloy zoomorphic stirrup mount of Williams' Class A, Type 8; formed as a boar's head with stylised detailing; the mount is sub-triangular in plan displaying one head at the apex and two heads below, decoration comprising looping and bifurcating tendrils; shallow ledge to the reverse and three perforations for mounting. 23.3 grams, 55 mm
Fine condition, traces of strap to the reverse.
Found near Snargate, Kent, UK. Property of a Kent gentleman. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no. KENT-D935E8. -
Viking Age Twisted Torc with Looped Terminals
Circa 8th-10th century A.D.Sold for (Inc. bp): £182
A copper-alloy torc with a tapering round-section body composed of decoratively twisted bars, terminals forming loops and coiled collars. 63 grams, 13 cm wide
Early 1990s London collection. Acquired on the UK art market. From a private collection, Lancashire, UK. -
Viking Age Patrix Die with Figure
Circa 9th century A.D.Sold for (Inc. bp): £286
A Moravian sub-triangular copper-alloy patrix die displaying a stylised standing figure to the upper face, inorans pose, ring-and-dot and other symbols in the field. 41.5 grams, 43 mm
Acquired before 2000. From the collection of a European gentleman living in the UK.
The Great Moravian Empire, Christianised by East Frankish missionaries and later experienced significant cultural development under King Rastislav, with the arrival of the mission of Saints Cyril and Methodius in 863 A.D., developed its own artistic style under the influence of Carolingian Empire and Eastern Roman Empire. The images of praying saints, similar to our figure, are evident on belt plate decorations, where the image of the suppliant with open hands and long talaris tunica is often repeated. If the two stylised figures are interpreted as lions, the patrix die could possibly represent the Biblical story of Daniel in the lion’s cave.