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LOT 1480
Viking Age Iron Inlaid Ring-Pin
9TH-11TH CENTURY A.D.
6 in. (40.2 grams, 15 cm).
With circumferential bands of silver inlay and gilt detailing; free-running ring with similar inlay. [No Reserve]
ProvenanceFrom the collection of a North American gentleman, formed in the 1990s.
LiteratureCf. similar dress-pin in the British Museum, London, under accession number 1891,1021.101.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Viking Age Bronze Artefact Collection
9th-12th century A.D.Sold for (Inc. bp): £85
Comprising: an ovoid pendant with openwork centre and simple decoration; mount with rectangular headplate, bow and foot, with four piercings; lunar pendant with geometric ornament and beast head terminals; belt fitting with rectangular slot and scooped sides, zoomorphic ornament; carinated ring suspending a smaller penannular ring. 32.9 grams total, 23-47 mm
From the collection of a North American gentleman, formed in the 1990s. -
Viking Age Traded Hacked Gold Bar Section
9th-11th century A.D.Sold for (Inc. bp): £156
The rectangular bar with a cut at each end. 1.42 grams, 14 mm
Acquired on the UK art market. Property of a Somerset collector, UK, since at least the early 2000s. -
Viking Bronze Urnes Style Mount Collection
11th century A.D.Sold for (Inc. bp): £53
Comprising: one C-shaped mount with tendril detailing; two irregular pierced pendants with beast-head suspension lug; one lead master for making pendant moulds. 41.7 grams total, 29-46 mm
From the collection of a North American gentleman, formed in the 1990s.
The comparatively recent finds from Lincoln, Hemel Hempstead and Grantham have considerably augmented the number of objects found in England decorated in the Urnes style, the last art style of the Vikings, and indicate that English metalworkers could produce objects of high quality. The employment of these mounts was probably linked with the fastening of puttees around the calves, the so-called wickelbander. Evidence for similar mounts as fastening pieces comes from Leyre (Danemark) and Novgorod (Ryurik Gorodische), and many other localities.
